Q&A #154: Who are your favorite non-Xmen siblings in comics?

In Q & A, a weekly feature of Fantastic Fangirls, we ask our staff to tackle a simple question — then open the floor to comments. Last week’s Favorite Siblings question unexpectedly revealed a slate of X-Men-related answers. As it were. This week we decided to expand on the question. Therefore –

Who are your favorite Non-X-Men sibilings in comics?


Anika

Terry and Matt McGinnis. I love Batman Beyond. Terry is Not Bruce. And eventually Bruce realizes he’s Not Robin, too. Terry is sort of “what if Peter Parker was Batman?” — he’s normal except not. And his punky little brother is a part of that. Matt grounds Terry. So he’s the hero of Gotham City, he’s just My Annoying Big Brother Who Never Has Time for Me to Matt…and at the same time, he was Matt’s hero long before he was anybody else’s.


Caroline

There’s something to be said for sharing a power, or a curse, or a supernatural duty with your sibling. But sometimes it’s fun to see a brother and sister in a comic who are just regular people. Scott and Stacey Pilgrim, from the popular series by Bryan Lee O’Malley have a relationship that flaky brothers and long-suffering sisters everywhere will recognize instantly.


Jennifer

While superhero comics are full of great siblings, one of my favorite sibling pairs exists outside of Western comics entirely. Edward and Alphonse Elric, protagonists of the wonderful manga Fullmetal Alchemist, are probably the most devoted brothers in anything I’ve ever read. In some ways, they’re the exact opposite of normal birth-order predictions. Ed, the older brother, is impulsive and frequently childish, with a quick temper and a flair for the dramatic. The younger Al, on the other hand, is calm and practical, quiet and sweet, and prepared to dig his brother out of any scrape — all this despite the fact that he literally has no body, and must exist as a soul embedded in a moving suit of armor. But when it comes down to it, Ed is willing to lay down anything — including, literally, his own limbs — to protect his baby brother, and the driving narrative of the entire epic story is the brothers’ quest to heal each other. They fight and bicker like any brothers do, but ultimately this is a story about deep, devoted brotherly love, and the threads of that emotional arc end in an extraordinarily satisfying way. If this kind of brother-narrative interests you at all, I highly recommend giving the Fullmetal Alchemist manga a try.


Sigrid

My favorite siblings outside of my beloved X-Men are the Endless, from Neil Gaiman’s Sandman. For all that they are the anthropomorphic personifications of eternal principles, they are still siblings. They bicker, feud, and love each other as family. I always appreciated that.

(L’il Endless art by Jill Thompson. I own a print of this, it hangs on my wall.)


So what about you? Who are your favorite Non-X-Men sibilings in comics?

Q&A #153: Who are your favorite siblings in comics?

In Q & A, a weekly feature of Fantastic Fangirls, we ask our staff to tackle a simple question — then open the floor to comments.

Who are your favorite siblings in comics?


Anika

Wanda and Pietro Maximoff. Everything about them is utterly perfect. Completely screwed up and pathologically destructive! But perfect.

Pietro has always been overprotective of Wanda. Something about her brings out that side of everyone — not just Pietro but Magneto, Steve, Carol, Tony, Clint, Simon, Ultimate Scott, everyone, they rush to defend and protect her. She can blink and alter the fabric of the world but everyone (except, notably, Vision) instinctively takes on the role of knight protector. Pietro is just best at it. Pietro does not care about right, wrong, or the lives of anyone else. He puts Wanda first, last, and only. That level of devotion is terrifying. It’s insane. It’s wrong. But also beautiful.

And ultimately, worth saving.


Caroline

There’s no family drama like Summers family drama.

Either Scott Summers (Cyclops) or Alex Summers (Havok) has been an anchor of various X-Men teams over the years. You rarely see the two of them in the same book at the same time, though, because functionally they are more or less interchangeable (tall, serious white dude, radiating energy powers and emotional trauma and affection for cosmically volatile women.)

I’ve always found it funny that fans tend to declare their loyalty for one Summers brother or another when they are essentially the same character. Switch out ‘chosen as leader at a young age’ angst for ‘I don’t get as much respect as my older brother’ angst, and you’re essentially telling the same stories. Despite their similarities, oddly, the brothers butt heads a lot. Though perhaps that’s only odd if you’ve never had a sibling, or known anyone who does. Granted, they are often fighting because one has been mind controlled by supervillains, or seduced by the other’s demon-possessed wife. Still, their clashes manage to have the familiar ring of sibling rivalry. In the end, of course, they’re only doing it out of love.


Jennifer

Firefly‘s Jayne Cobb said it best, dictating a mock diary entry from his sibling shipmates Simon and River Tam: “Today I was pompous and my sister was crazy.” For some reason, a good number of mixed-gender sibling stories are about a boy who is a little bit full of himself and a girl who is a little bit crazy. The trope goes back at least as far as Laertes and Ophelia and continues across media today in pairs like High School Musical‘s Ryan and Sharpay. But comics seem to have a special fondness for this trope, especially in the portrayal of fraternal twins. Anika already addressed one such pair in Pietro and Wanda Maximoff, but perhaps my favorite incarnation is the Beaubier Twins, Jean-Paul and Jeanne-Marie — otherwise known as Northstar and Aurora.

Northstar and Aurora

Like the other pairs, Northstar and Aurora are appropriately pompous and crazy. But they have other traits that make them more interesting both as individuals and as a pair. Northstar, who just moved in with his boyfriend in Marjorie Liu’s excellent first Astonishing X-Men issue, was one of the first openly gay characters in comics (and the first notable out superhero). Aurora, meanwhile, struggles with actual multiple personality disorder brought on by a traumatic childhood (not just metaphorical “craziness”), and when the stories about her mental illness go beyond the basic madonna/whore dichotomy of the bold and sex-crazed Aurora vs. the shy and devoutly Catholic Jeanne-Marie, they are frequently fascinating. (See the recent, sadly-cancelled Alpha Flight series by Fred Van Lente and Greg Pak.) But also interesting are the ways in which Northstar’s and Aurora’s stories have been consistently entwined. They have rarely had separate plotlines, and their identical mutant powers actually magnify when they touch; even their classic costumes are identical. Individually, they are fascinating characters, but writers seem to recognize that they work better together than apart, and it’s for this reason that they rank as my favorite superhero sibling pair.


Sigrid

My favorite sibling pair in comics is Rachel and Nathan Christopher Summers. Not Rachel and Cable, but Rachel and the baby boy, Maddie and Scott’s son. Rachel promises the kid, with every fiber of her being, that she will never let him come to harm. It’s a ridiculous, futile promise, and she knows that even as she makes it. But she’s an X-Man, and the ridiculous and futile are her birthright.


WELL! In a turn of events, all of our replies this week happened to be Marvel! And, mostly X-Men! Next week, then, we’ll bring you our non-X-Men answers to the same question. (What can we say? We have our preference!)

So what about you? Who are your favorite siblings in Marvel comics?

Q&A #152: Recent title round-up!

In Q & A, a weekly feature of Fantastic Fangirls, we ask our staff to tackle a simple question — then open the floor to comments.

What is a recent title or issue you have enjoyed?


Anika

I am reading Ed Brubaker’s latest Winter Soldier series on my iPad. I am ready to go all digital. As for the comic…

Like a teenager on a roller coaster. That about sums it up.


Caroline

Angel & Faith, published by Dark Horse, is a spinoff of the Buffy the Vampire Slayer comic — which is, of course a sequel/spinoff of the popular television show that has been off the air way longer than I want to think about. I was a big fan of Buffy on TV, and its spinoff, Angel. I’ve only followed the Dark Horse continuations off and on. Nothing against them; they’re high-quality comics, especially for TV tie-in properties. It’s just that I was satisfied with the way the Buffy story ended on the screen. I didn’t really need to see more adventures picking up down the road.

However, when a book focused on Angel and Faith was announced, I took notice. The two characters — Buffy’s sometime boyfriend who happens to be a vampire, and Buffy’s co-slayer and occasional nemesis –might not seem like a natural teamup. But if you’re familiar with the character dynamics over several seasons of television, it starts to make sense. Both Angel and Faith have shown a strong desire to do good, while always fighting to keep their darksides at bay. Yet they face their similar demons in contrasting ways: Angel broods; Faith parties. This contrast makes for interesting interplay between the characters.

Angel & Faith has its eighth issue coming out this week, and so far it is living up to the story’s promise and then some. Christos Gage (who is also writing one of Marvel’s best books, Avengers Academy) is doing a great job of crafting inventive plots and Joss-worthy dialogue, while artist Rebekah Isaacs has the characters and the London setting looking great.

This book may be too continuity-dependent to appeal to all readers — if you don’t already care about these characters before you pick up the book, there might be a lot to catch up with. But if the Buffyverse is part of your life and you want to see good stories told well, give Angel & Faith a shot.


Jennifer

I bought the first issue of Saucer Country for a number of reasons. First of all, Ryan Kelly, best known for his collaborations with Brian Wood on Local and New York Four, is one of the best artists working right now, with some of the most intricate backgrounds and delightfully realistic character models I’ve ever seen. Though I’d never seen his work in color before, I knew I had to give any new project of his a try. Likewise, I’ve been loving books like The Unwritten and iZombie, so trying out another new title in the current Vertigo renaissance seemed like a good plan.

Yet what really drew me to this story, and what is sure to keep me here for the foreseeable future, is Paul Cornell’s writing. This is, to be honest, a surprise to me. When Cornell first began his tenure on Marvel’s Captain Britain and MI 13, his writing didn’t quite click for me. I liked his plots well enough, and thought his characterization was lovely, and I appreciated his commitment to creating new characters from underrepresented social groups, like Muslim doctor-turned-superhero Faiza Hussain. But something about his actual prose always felt off. He didn’t quite seem to have the hang of the comic book form, and panels felt disjointed and awkward, with odd pacing issues and dialogue that never seemed to flow smoothly from character to character.

But Cornell, like most writers who come to comics from other media, has gradually improved and acclimated to the comic book form. And as he has, his stories have become better and better, his prose rising to match the strengths of his plots and characters. By the time he concluded his recent run on DC’s Stormwatch, I found myself actively lamenting the loss of his talents, and looking forward to whatever his next work would be.

That next work is Saucer Country, an independent story that is part sci-fi alien abduction story, part political drama. Arcadia Alvarado is the Latina governor of New Mexico and a rising political star with a real shot at the presidency — if only the memories of her abduction and her knowledge of the imminent invasion of the earth weren’t standing in her way. The story is clever and original, and I can’t express how awesome it is to see a woman of color as the lead in a story about politics. This has the potential to be the next Ex Machina, and it demonstrates all of Paul Cornell’s commitment to strong storytelling, social justice, and improving his craft. Paired with Ryan Kelly’s fabulous art, I predict nothing but greatness from this story’s future.


Sigrid

I have been thoroughly enjoying X-Men Legacy. Simply enough, it’s the comic with Rachel Grey in it. \o/

And she is wearing this costume, which I am helplessly in love with.

Moreover, I like what the comic it doing. It’s in deep, deep X-Continuity-Land, here. We are in the High Nerdery, the Deeper Nerdery from Before the Dawn, if you will. We have recurring villains from twenty years ago, the resolution or continuation of relationships from the same time period. Characters and their dangling plotlines are raised up from the deep like James Cameron’s sub returning from the Marianas Trench. This is really not a comic for a casual X-reader.

But it’s a comic for me, and my ilk. I have ilk, I know you are out there.

Because, see, the other thing the writers, first Mike Carey and now Christos Gage, are doing in X-Men Legacy is resolving relationships. These people, they have issues. With themselves, with each other. And in and amidst the fighting and punching and the energy blast salvos and the vitally important decisions about new haircuts and costume colors, the Legacy team spends a hella lot of time talking to each other about their feelings.

I love this. It’s like New Avengers, only with X-Men and John Hughes dialog instead of David Mamet.


So what about you? What is a recent title or issue you have enjoyed?

Q&A #151: Who is a favorite character created in the 1980s?

In Q & A, a weekly feature of Fantastic Fangirls, we ask our staff to tackle a simple question — then open the floor to comments.

Who is a favorite character created in the 1980s?


Anika

My daughter has recently discovered Elektra. I found a magnet playset of Marvel characters while cleaning my closet and handed it off to Aeris. She spent that afternoon making up her own stories, mostly about Spider-Man and “the red girl”. I explained the red girl was Elektra, we watched the movie and we’re reading the novelization, and she’s been dressing up and running about like a ninja for the past weeks. She wants to be Elektra for this year’s events and she’s made up stories where Elektra and Lara Croft go adventuring together. What’s interesting is that we own the movie and the novelization and a good selection of action figures because Aeris’ big sister had the exact same reaction to Elektra when she was that age. I’d always thought it was strange that Elektra, of all people, got to represent the women of Marvel in merchandise like the magnet set (Storm was the only other female character included, and the only person of color) or on the big screen (she remains the only Marvel woman to headline a movie). Elektra is an assassin in a skimpy outfit who suffers from some culture appropriation issues and that doesn’t exactly scream “role model for six year old girls” to me.

But six year old girls love her. At least my six year old girls do. And because of that I looked a little harder and I discovered that what Elektra represents is someone who strives to be better than the worst things about her. She doesn’t think she’s a good role model either and those tend to be the people who are.


Caroline

The Internet has been abuzz, with good reason, at the news that Kelly Sue DeConnick will be writing a new Captain Marvel series in which Carol Danvers takes on the starring identity. All of us at Fantastic Fangirls are thrilled at that news.

The announcement did remind me, though, that Carol isn’t the first female character to take on the identity of Captain Marvel. Monica Rambeau was introduced in 1982, as a member of the New Orleans Harbor Patrol who exposed to “extra-dimensional energy” and decided to use her powers (like you do) to fight crime.

Monica is one of those characters with a sporadic publication history and at least seven different superhero aliases. This happened to a lot of characters created in the ‘80s. They existed, which someone occasionally remembered, and then had to figure out something to do with them. Monica fared better than most, serving as a full member of the Avengers for a run of issues. (If you’ve read her later appearances in Nextwave, you had better remember she was an Avenger; if not, she’ll remind you.)

Still, I always liked Monica’s no-nonsense personality, and her awesome character design. Whether in The Avengers, Nextwave, or the Marvel Divas miniseries, I’ve always enjoyed encountering her. She’s still hanging around the Marvel Universe (going by “Photon”, last I checked. I think. Probably.) As great as it is to have a new Captain Marvel on the block, I hope we’ll be seeing more of Monica as well.

She makes a damn great Avenger.


Jennifer

Jen will add her answer in when she gets a free moment.


Sigrid

KITTY PRYDE.

I … I don’t even know how to say more than that. I was thirteen and a half when I started reading comics, and I fell in some sort of love, a love that was and remains an impossible blend of wanting to date Kitty and wanting to be here.

FAVORITE.


So what about you? Who is a favorite character created in the 1980s?

Fantastic Fangirls (Comic) Book Club: April Edition

Our next edition of the Fantastic Fangirls (Comic) Book Club is coming up in April, featuring Volume I of the graphic novel adaptation of Stephenie Meyer’s Twilight, art and adaptation by Young Kim. (Yes, that Twilight.)

Twilight Volume I

When Isabella Swan moves to the gloomy town of Forks and meets the mysterious, alluring Edward Cullen, her life takes a thrilling and terrifying turn. With his porcelain skin, golden eyes, mesmerizing voice, and supernatural gifts, Edward is both irresistible and impenetrable. Up until now, he has managed to keep his true identity hidden, but Bella is determined to uncover his dark secret…

The book is available in hardcover or paperback here at Amazon, here at Barnes & Noble (where it’s also available on the Nook), or wherever you regularly buy comics and graphic novels.

We’ll be having our usual round-table discussion for the book in mid-April, and we hope you’ll play along in the comments!

Q&A #150: What comic book character would make a good rock star?

In Q & A, a weekly feature of Fantastic Fangirls, we ask our staff to tackle a simple question — then open the floor to comments.

What comic book character would make a good rock star?


Anika

I know this isn’t the question, but can we pause for a moment to think about how Jem and the Holograms should be a comic book? Because it should. It should also be a movie starring Alyson and AJ Michalka as Jerrica and Kimber Benton.

But to answer the question: Hellcat. Because Patsy Walker would audition for American Idol if she could. And she’d be the next Taylor Swift.


Caroline

The greatest rock and roll bands feature members with distinct personalities and talents who nonetheless play off each other as though they shared a single mind.

With that in mind I give you:

The Jamie Madrox Experience.

Think about it. In the current run of X-Factor, writer Peter David has established that Multiple Man can divide his personality into various aspects, and also that his ‘dupes’ can go out into the world, gaining talent and experience, and then come back to be re-absorbed into Madrox as a whole. Therefore, Jamie has infinite time to practice any musical skill he could desire. Then, when it comes time for the act to get onstage, he could divide into multiples of whatever number suited the instrumentation of the song or the size of the venue. Plus, the shows never get boring because no one (including Jamie) knows exactly what Madrox is going to show up.

And they’ve got the T-shirts pre-designed.


Jennifer

Someone posted this set of images on Tumblr recently. Apparently, Jeremy Renner really, really likes holding microphones, and possibly also singing into them. And who am I to deny him his pleasures? Clint Barton was born to be a rock star. Just look at that come-hither stare:


Sigrid

Well, the New Mutants actually did go be intergalactic rock stars for a bit.

But that’s kinda cheating. So my answer is Rachel Grey.

Because my sense of everything cool in the universe was set in 1983 by Paul Smith and John Romita Jr. And Rachel Grey is all that is cool.


So what about you? What comic book character would make a good rock star?

Q&A #149: Who is on your superteam?

In Q & A, a weekly feature of Fantastic Fangirls, we ask our staff to tackle a simple question — then open the floor to comments.

Who is on your superteam?


Anika

My superteam would be made up of ballet dancers and gymnasts. Because they are the strongest and bravest people I know.


Caroline

The E Street Band:

(It’s new album day, all right?)


Jennifer

The Fantastic Fangirls are my superteam.


Sigrid

In the year 2022, when my kids become superheroes, my team will consist of Artisan and Volteadora. Artisan will build most of the gadgets and secure the super-base, defending it with robots and traps. Volteadora will be the field agent, using a combination of acrobatic skills and gadgets to overpower criminals. They will clean up the Twin Cities, fighting crime and doing good.


So what about you? Who is on your superteam?

3rd Annual Fantastic Comic Book Awards

In Q & A, a weekly feature of Fantastic Fangirls, we ask our staff to tackle a simple question — then open the floor to comments. But this week we bring you: the winners of the Third Annual Fantastic Comic Book Awards!


“Hey ho, Kermit the Frog here, we’d like to give you a warm Muppet welcome to the –”

Kermit is interrupted by Miss Piggy flinging her arms around his torso. “Kermy, I am so proud of you.”

“Erm, thanks Piggy, but I have to host–”

“I know! I am so excited! My own froggy sweetie is hosting the Academy Awards!”

Kermit frowns. “The Fangirl Awards.” But his objection is ignored and overrun by his cooing partner.

“The Oscars! I always knew we were going to be stars! I cannot wait to meet all the little people on the red carpet and make them swoon with my fabulousness.”

“Erm. Piggy?”

“Yes, my love?”

Kermit points to the cameras directed at the stage. “I’m trying to start the show–”

“Oh! OH!” Piggy squeals and turns to preen. “Hello! I am ready for my close-up at the Oscars.”

“Fangirls.”

“Fangirls? For moi? Where?” Kermit doesn’t answer. “I am coming, little people!” She sashays stage right; Kermit swallows and turns back to the camera.

“Erm. Anyway, Miss Piggy, folks!” The audience applauds politely. “And now a warm Muppet welcome to the third annual Fantastic Fangirl Comic Book Awards! Yayayayayayayayayaa!” Kermit flaps his hands and he is suddenly surrounded by his peers singing and dancing.

After the song, the Muppets exit the stage, leaving Fozzie Bear

“Hey! You know where all these superheroes are spending Spring Break?” The audience shuffles, perplexed. “Cape Cod! Get it? CAPE Cod! Wokka wokka!” Half the audience attempts to laugh, politely; the other half rolls their eyes, groans, or simply stares. “Ladies and germs, last year’s Best Supporting Character, Barbara Gordorn!”

Best Character in Supporting Role, Male

From stage right Barbara Gordon walks out towards the microphone. The wave of applause that greets her almost masks the chanting protest from a small group of audience members who are quickly ushered out by security. Barbara leans towards the microphone, shading her eyes with one hand as she tries to see the source of the outcry.

“I was going to begin my introduction of the Best Male in a Supporting Role by talking about changes in the industry in the last year. This category, traditionally a hotly contested race, managed to garner only one nominee.” Barbara puts her hand down and looks at the camera. “The single nominee was not named for lack of interest in the category, but because times change. Some of the changes are not welcome, or are a mix of progress and reactionary thinking. I am very aware of this fact.”

There’s an uncomfortable pause. Looking directly at the camera, Barbara raises one eyebrow. Whatever she’s waiting for, the moment passes.

“Some changes, though, are long overdue. It is therefore my great, great pleasure to welcome Gaveedra Seven, a.k.a. Shatterstar, to the stage, taking his deserved award for Best Character in a Supporting Role!”

Shatterstar does not just walk up to the stage. He does, instead, bound down the aisle with an acrobatic routine worthy of the Cirque du Soleil performers at the actual Oscars. When he reaches the stage, he does one last leap high into the air before sauntering over to the microphone and accepting the award from Barbara.

“Thank you, kind lady,” he says, and he bows to kiss Barbara’s hand. “Are you available for romantic overtures after these festivities?”

Barbara glares at him and pulls her hand away before stalking off. Shatterstar stares at her, bewildered for a moment, then shrugs and turns back to the microphone.

“I have been a viewer of these awards on your television many times, and I am pleased to receive recognition for my excellence. But I am uncertain about what aspect of my excellence you are honoring.” He pulls out a blade from his sleeve. “My skills as a warrior have earned me many accolades in the past, but the attempts of your doormen to relieve me of my swords lead me to believe this is not that kind of award. Someone else explained that this honor was the property of someone named Peter David, but I’ve never heard of this man and I must wonder if he is some kind of adversary.”

“But my teammate Layla, with whom I share an intimate connection and who claims to ‘know stuff,’ says that this award comes in part because of my relationship with my lifemate, Julio. I am beginning to understand why this is true. In my world, sexual desire of any kind was banned for gladiators in the arena. But in your world, sexual desire seems to be condoned only between certain partners. I do not believe in any kind of restrictions on one’s sexual partners, but I especially do not believe in a restriction based on one’s biological sex. I find my life with Julio to be very fulfilling, and if Layla is correct that our relationship is a sign of political progress in this world, I will accept the award for that gratefully.”

Shatterstar flashes a big grin.

“If anyone wishes to discuss matters of sexuality further, you can find me after the show in my dressing room. I will be doing 1,000 pushups, without any clothing.” And with a wink to the audience and a camera cut to his poor, put-upon boyfriend in the fourth row, Shatterstar leaves the stage.

Best Character in a Supporting Role, Female

There is a scuffle offstage followed by a long pause. The audience squirms in their seats — is this an attack? But the music picks up finally and Sam the Eagle takes center stage.

“Apologies, all. This illustrious ceremony is no place for the likes of an ignoble ruffian such as Damian Wayne and he has therefore been removed from the building. I will present the award of Best Supporting Character, Femalein his place. The winner is a young woman who does her country,” He stands tall. “America!, proud. Ladies and gentleman, the winner is Miss Jubilee.”

Jubilee is wearing a dress that leaves very little to the imagination, and for good reason — she convinced Wolverine to give her a good long gulp of his healing factored blood before coming to the ceremony, and she was able to enjoy a sunlit red carpet for a brief period. She smiles as she takes the award, showing off all of her — pointy — teeth, and a few people in the front row lean back a bit uneasily until Jubilee opens her mouth in name-appropriate jubilation.

“Ohmigosh, this is, like, the best award ever! I mean, ok, like, I never thought I’d get any kind of award again, right? I wasn’t a mutant anymore and I wasn’t an X-Man and even Wolvie wasn’t hanging out with me. And then I get bitten by a vampire and suddenly I’m everywhere! Hanging out with Wolvie’s clone kid and everything! And I won’t lie, I hate how pasty I am now, and I’m a California kid at heart so I miss the sunshine a little. But if being a vampire means that people are finally appreciating my awesomeness again for the first time in years, I’ll take it!

“I guess I should thank Marjorie Liu for hooking me up with X-23 in the first place, and all the artists who have made me look totally hot and grown up without totally changing my look. And thanks to Wolvie and Frosty and everybody else who’s managed to put up with me even when I’ve been a pain in the ass and put cellophane over your toilets and shaving cream in your beds. I’m up all night these days — you can’t expect me to just sit around doing nothing! And finally–” she becomes more somber, and raises her trophy skyward, “thanks to my mom and dad. I hope this makes you proud, even if I am all undead and stuff these days.”

Best Character in a Leading Role, Male

Stephanie Brown walks to the podium, wearing a form-fitting lavender dress that entirely suits her. Gonzo, already at the microphone, gapes. Stephanie smiles at him and turns to face the camera. Gonzo continues to stare at her, open-mouthed. Steph glances at him, then grins. She reaches over and, with two fingers, pushes up on his chin to close his mouth.

“The challenge of the leading man is an ever-changing one,” Stephanie says, clearly reading off the teleprompter. “As stories represent our culture’s changing needs from year to year, so to does the leading man represent changing ideals of masculinity. What does it mean to be a man?”

“I don’t know,” Gonzo breaks in, manifestly off-script, “but I’m so glad you’re not one!” There’s a bit of uncomfortable laughter. But Steph doesn’t appear to be taking her co-host’s admiration too seriously. She rolls her eyes and continues with the introduction.

“In the past the award for best male in a leading role has honored tradition. Tonight we reward daring. The award for best male in a leading role goes to Miles Morales!”

Miles takes the stage and the award from Stephanie as the applause fills the theater. “Wow. This is really something. I mean, I wasn’t even the lead that long. . .” He swallows and takes a breath. “I, uh, well I thank everybody. At Marvel and Ultimate Marvel. And especially the creative team, Bendis and Sara Pichelli. And the fans for reading and caring and voting!” He blushes, but he’s grinning. “I didn’t know if you guys’d accept me.” Stephanie gives his arm a playful punch. “So thanks. And uh, I want to dedicate this to — well, I wanted to dedicate this to Peter Parker cuz I wouldn’t have this gig if it weren’t for him but I also wanted to dedicate it to, you know, anybody who’s ever felt like they wanted to do something not everybody wanted them to do. But then I realized Peter was one of those people. So. This is a win for all of us.” With a little fist pump to the sky Miles walks off stage with Stephanie.

Best Character in a Leading Role, Female

Luke Cage strolls out to the podium, where Scooter is waiting. Luke clears his throat and gives Scooter a meaningful look. Scooter shrugs and jerks a thumb at the teleprompter. Luke raises his eyebrows. Scooter leans into the microphone. “It’s a special honor to present the award for best leading female role,” the Muppet begins earnestly. “The year brought a lot of changes and controversy to the category, but I feel confident that the best candidates were nominated!” Luke bends down to the mic. “Hey, Dani, told you your daddy would say hi. The award for best female lead goes to — Stephanie Brown.”

Stephanie walks back on the stage, looking left and right, smiling as she takes the award.

“Was I just out here? It feels like I was just out here. Wow. Thank you, I just — obviously, this is a bittersweet moment. Bittersweet.” Stephanie wipes her eyes. I wasn’t going to do this. I’ve been so fortunate, you guys. So very fortunate. I’ve had the support of my mom, and Wendy, and — Barbara, I don’t see you, Barbara? — Everybody give a hand to Babs. Thanks. I don’t want there to be any hard feelings, okay? We’re all a family and, oh my God, Cassandra? Cass Cain, can you — right, over there. I’m just so thrilled Cass could make it.

Because Batgirl, you guys? Batgirl is about all of us. I want to thank Bryan Q. Miller and all of the great, great artists who made my time as Batgirl possible. But most of all, this is for all the Batgirls out there. Holds the trophy above her head. I’ve got no regrets. I’m so glad I could be one of you! Thank you so so much.

Best Ensemble

Coming back from commercial break, the camera finds the stage occupied by Dr. Teeth and the Electric Mayhem with their full kit. The lights flash and a spotlight picks out Animal as he begins to drum. The audience breaks out in wild applause as the bass and guitar join in.

“Twenty-twenty-twenty-four hours to go!”

It’s Janice singing, her mellow tone making the classic Ramones tune an in-joke with the audience.

“I want to be sedated!”

“Whoa!” Dr. Teeth breaks in, waving his hands to cut the band off. The music stumbles to a halt. Janice turns and looks at the band leader with a confused expression on her face. “My apologies, my friend, for interruptin’ what was clearly going to be a heart-felt groove for you.”

Floyd snickers.

“However,” Dr. Teeth continues, “we are not here to display the prodigious talents of this ensemble. We are here, instead, to present an award to another group as deservin’ of recognition as ourselves.”

Floyd nods and turns to the microphone. “So with no further ado — ”

“A-DO! A-DO! A-DO!” Animal shouts, getting a big laugh from the audience.

” — we are pleased to announce the winner of Best Ensemble, the Avengers Academy!”

A long silence falls.

“Avengers — Academy!”

Looks down. “Oh, hey there Doctor Pym! I didn’t realize you still –”

Hank Pym grows, before the audience’s eyes, from tiny ant size to full-grown. He accepts the trophy and clears his throat.

“Thank you all, thank you. This is quite a difference from last year when we were all — covers his eyes Give me a moment. I’m sorry.” Looks up. “The Avengers Academy has been, as I hope you all know, a project near and dear to my heart. In a way, I’m sorry that I’m the one here to accept the award because, to me, the story of the Academy is the story of those kids. There’s a place for my story, of course, and for Greer’s, and Pietro’s and — Robbie and Vance? When’s the last time anyone saw Robbie and Vance? Never mind.”

“But ultimately, this book is not about the heroes of my generation. Christos Gage understands that, which is why he’s done such a wonderful job as our writer. Don’t get me wrong, Christos knows his continuity as well as anybody alive. But he also knows all the shoutouts to minor New Warriors plots would be nothing without these kids. This wonderful set of original characters, more recently joined by so many other wonderful young characters who have been created in recent years and — how do I put this? — not always given the chance to shine to their full potential.”

“I’m very happy to accept this award on behalf of Avengers Academy, I’m only sorry that none of our students are currently available, to –”

The crowd begins to murmur, as a figure materializes next to Pym. Her body appears to be wrapped entirely in bandages. She clears her throat and steps forward to the microphone, as Pym sheepishly steps aside.

She speaks in a monotone as though reciting.

“My name is Madeline Berry, also known as Veil. I accept a portion of this award on behalf of myself, Mr. Jeremy Briggs, and such other individuals who may consider themselves to be part of the ensemble, despite no longer being affiliated with the Avengers Academy. While Mr. Briggs and I appreciate the good intentions of Dr. Pym and the faculty and staff of the Avengers Academy, I must take the opportunity to state our belief that the Academy, like all adventures in so-called superheroing, is a destructive institution that perpetuates unproductive values within our culture. Thank you and good night.”

Pym steps toward her, offers a hand. “Maddie –”

“Dr. Pym.” She nods stiffly and once again vaporizes. Hank Pym walks sadly off the stage.

Kermit hurries on stage, a worried expression on his face. “Erm. Well, that’s all folks…thank you for–

“Shouldn’t the pig be sayin’ that?” Floyd asks from the Orchestra Pit. Kermit scrunches his mug in confusion.

“What?”

“It’s a pig who says ‘That’s all folks’.”

“Yes, but…that’s a cartoon pig who is owned by a different company than the Muppets…”

“Why’s it always come down to either-or, man? Look at this place, we got heroes from every corner and we all workin’ together. We don’ look at Piggy an’ think she owned by some Micky Mouse Corporation and we don’ look at Porky an’ think he one a them maniancs in a W to the B watertower. We all gettin’ along, frog. Our Piggy is Porky and she should be sayin–”

Piggy appears on stage, eyes flashing. “Who you calling porky, you hippie beatnik loser?” Floyd blinks in confusion. Piggy launches herself into the orchestra. “HIIII-YAH!!!!” The audience rise in their seats to watch the orchestra try to take on the enraged Piggy.

Distracted by the feud, no one notices Damian Wayne, dressed as Robin, swinging in with a tall cream pie in his hand. He notes his targets, makes a quick adjustment and flings the pie with such force that when it hits Sam the Eagle square in the chest he is thrust backwards into Stephanie Brown. The two fall over, covered in whipped cream. Sam is unamused but Stephanie jumps up with a huge grin on her face. Damian snaps his fingers and an army of waiters descend the aisles with trays and carts of pies. No one knows who, man or Muppet, shouts “PIE FIIIIIIGHT!!” but everyone, man and Muppet, joins in.

All but Kermit who facepalms and addresses the last standing camera. “That’s all–Ahhh!” Kermit ducks as a pie whizzes by him. He turns resigned to the camera. “Oh, you know.”


This post is a collaboration between all four Fantastic Fangirls — and everyone who participated in the Fantastic Comic Book Awards. Thank you all!

Q&A #148: Who is a favorite character created in the 1970s?

In Q & A, a weekly feature of Fantastic Fangirls, we ask our staff to tackle a simple question — then open the floor to comments.

Who is a favorite character created in the 1970s?


Anika

I love Q&As I can answer with a panel:

Talia al Ghul, daughter of Ra’s al Ghul, made her first appearance in 1971. A lot of people don’t like her but she’s a favorite of mine. Look at that image. On the surface Talia is sexy, silly, and suggestive. She makes *Spirit Hands* and pops her ankle up a la The Princess Diaries even when she’s falling down. She’s daughter — or wife, or mother — first and Talia second. Look beyond the surface to the comics and she’s been seductress, enchantress, socialite, witch, queen, sociopath, damsel, demon, mercenary, and maiden. And she’s lived all her years in the shadows between good and evil. Instead of consistency she has crazy.

But if I preferred consistency to crazy I wouldn’t read comics. And when crazy reads like this:

I can’t complain!


Caroline

I don’t really intend to make Scott Summers’ tumultuous and oft-reconned family life a theme in this space. And perhaps, conceptually, Scott’s father Christopher Summers had been invented in the early (1960s) days of the X-Men. But it took the ‘70s and (dare I say) the popularity of Star Wars for Claremont and Cockrum to inform us that Chris was not in fact dead but living a second life as a space pirate. In any case, Christopher Summers did not exist in his identity as “Corsair” until 1977. Which, really, you only have to look at that facial hair to be able to guess.


Jennifer

The 70s are an odd decade for me. Some of the first characters that came to mind in response to this question either debuted the year before the decade started (the Falcon) or the year after (Kitty Pryde, She-Hulk). All of those characters certainly have a 70s flavor to them, but they weren’t, technically, invented in a year that began with 197. So who do I choose? I love the All New, All Different X-Men as a group, but I’m not sure I could single any of them out.

And then I realized the obvious answer. What could be more distinctively 70s than that unlikely pairing of blaxploitation and the Kung Fu craze that was Power Man and Iron Fist? Alone, Luke Cage and Danny Rand are both fantastic characters who have grown far beyond their stereotypical 70s origins in books written by such modern creators as Brian Michael Bendis and Matt Fraction. But I still have a soft spot for their early team up, in all its wonderful insanity. Theirs is a friendship for the record books, and it couldn’t have happened without the trends of that much-maligned decade.


Sigrid

Introduced in 1975, Moira MacTaggert is a character I love more in the idea than the execution. From the pages of various X-Men-related comics, she is a scientist, a geneticist, a love interest, a plot point to be ‘fridged as needed, a villain, a superhero, a liability, and a mother-figure. She is one of the most widely characterized figures in X-Men comics. The only truly consistent feature she has is the overly-broadly-written accent, which I am assured is supposed to be Scottish.

All of which makes it sound like I might dislike her. That’s not the case.

The Moira that exists in my head, the one I glean from the ways she’s been used and abused by her writers, is a ruthlessly tough woman, brilliant, caring, yet hard-headedly realistic. Moira has seen the good and evil in humanity, whether or not a person carries the X-Gene. She is prepared, as a consequence, to judge people by their actions. And judge you she will.

She’s a tough dame, and I love the idea of her.


So what about you? Who is a favorite character created in the 1970s?

Q&A #147: Dear Valentine …

In Q & A, a weekly feature of Fantastic Fangirls, we ask our staff to tackle a simple question — then open the floor to comments. In recognition of Valentine’s Day we present:

Dear Valentine …


Anika

To: Becky Ryan
From: Franklin Richards

Dear Becky,

You’re hot. Uncle Johnny said to begin with that because it’s what most people who write to you are thinking no matter what they are writing. So by saying it first I come off honest. Also Uncle Johnny says you are hot.

You are pretty, Becky, and you sing really well and you are brave. If you would be my Valentine I would take you to Disneyland. I know I just turned seven again but I am a really old soul and also I can sometimes manipulate time. Remember I was honest about how hot you are when you respond!

Please me my Valentine.

Franklin

Dear Franklin,

Thank you for the wonderful note and the picture of you and your family. When y’all come out to L.A. I’d love to bring you — and your sister — to Disney, sure thing. I’m including two pictures for you and your uncle. Make sure to keep the one I signed to my best Valentine for yourself. Have a very happy holiday, kid.

Your friend,
Becky

P.S. Tell Uncle Johnny he’s hot.

Becky:

Why is TMZ reporting you’re “hot and heavy” with Johnny Storm?

-KK.


Caroline

TOP SECRET S*W*O*R*D* COMMUNIQUE: FROM THE DESK OF THE DIRECTOR: BURN AFTER READING

McCoy –

All right, you win.

I swore you would never get any kind of acknowledgement from me about this sappy, stupid fake holiday. To tell the truth, I never thought we’d make it past one Valentine’s Day, much less. . .however long it’s been since we cuddled up in that cave on the ice planet.

Yet here we are. And by “here,” I mean “I’m on the orbiting headquarters of the Sentient Worlds Observation and Reporting Division, waiting for you to shuttle in for a dirty weekend from the reform school/amusement park where you’re currently mentoring the newest generation of mutant rugrats.” As long distance relationships go, that makes Hades and Persephone look sane and workable.

Weird thing, though: it really is working. I spent most of my life expecting that I’d never even have a friend. Now I have a friend who is also a partner who is also the smartest and bravest and best man that I know. I don’t require that in a relationship, for the record. Not by a longshot. Somehow I was lucky enough to get you anyway.

In a few minutes, you’ll bound off that shuttle carrying New York City bagels and coffee that’s magically still hot and an art project one of your students wove out of their own tailfeathers or something equally off the wall. And I’ll make a face and (though you won’t see me behind the glasses), I’ll roll my eyes and (after I chug the coffee) we’ll make out like crazy and get through the whole weekend without talking about feelings even once. Then on your way out I’ll stuff this note between your uniform vest and your fur and with any luck you won’t find in until you’re back in Westchester.

I love you, furball. I’m glad you’re my valentine.

-Brand

PS. SHOW THIS TO ANYONE AND I DESTROY YOU.


Jennifer

Rictor,

I have been enjoying many programs on your television, and they have been very informative. One of the things they have informed me about is a feast day called St. Valentine’s Day. I have used your internet to research this celebration, and I do not understand why anyone would want to commemorate the ignoble death of such an insignificant figure. However, I am very much in favor of a holiday which incites men and women to engage in various forms of sexual congress.

I have come to understand that this is not an appropriate day to express one’s desire to copulate with multiple partners, however, so I will refrain from doing so. Instead, I wish to express my dedication to you in particular, as the primary target of my most deeply-felt affections. The advertisements advise that I should buy you some kind of gift, but I know that your immune system reacts negatively to flowers, and candy will not help you to remain in the shape of a warrior. The advertisements also indicate that jewelry and other adornments represent a proper gift, but the recipients of these offerings always seem to be women, and you have reacted poorly in the past to gifts you considered to be feminine. Besides, these advertisements claim that “every kiss begins with k,” and this is patently untrue in most languages, including the one of your birth. I do not trust their guidance.

Therefore I will simply give you gifts that I know you will enjoy: this very attractive photograph of myself, a meal that is both nutritious and gastronomically pleasing (which I was taught to prepare by a delightful woman appearing on your Food Network), and some other things that Guido tells me I cannot talk about when he is within audible range.

Te amo, Julio.

~*Shatterstar*~


Sigrid

Dinah, Helena –

I’ve had plenty of opportunities to think, “I really should have told X this important thing, and now I won’t get the chance to do so.” It’s a reality of the life we lead. Because of this I’ve planned ahead. If you’re getting this note I am dead and you are alive, and there’s not much to be done about that.

I hope you are well. I always hope you are well.

This is, in point of fact, a Valentine’s Day note. To my two closest friends. Which may be odd in a broader cultural context, but I think you two will understand. There’s love, the kind that Dick and I used to share, and then there’s the bone-deep certainty that another person will be there until death. And sometimes after, Lazarus Pits being what they are.

But if you are getting this note, the Lazarus Pit or the nano-restorers or the trip to Paradise Island, none of those things worked. And I know you tried them. I know you tried them all. Because that’s what I mean about love.

Love doesn’t preclude mistakes, though. And I made mistakes in my relationships with each of you. I don’t have an excuse, just an explanation — I loved you each enough to want to help you, to help you be more and better and happy. But I didn’t ask you, first, what you wanted. And I am sorry for that. Love lets me say how sorry I am, but it doesn’t let me say it to you in person.

I hope that you have love in your lives this Valentine’s Day.

Well, what I actually hope is that you never get this note. That I am alive, and we are having take-out Thai and watching whatever atrocious movie is passing for romantic comedy in the years to come. But in the event that this is not the case, I wish you all the best. I wish you happiness, and fulfillment, and love.

Barbara


So what about you? Do you have a comic book character valentine?