What I’m Reading Wednesday: 5/22/2013

I feel like I have a lot of comics this week, though really it’s only five. I can’t imagine being one of those people who pulls a dozen comics every week. I’m stretching my budget as it is, and it would take forever to read all of them.

Anyway, comics! Five pulled this week, mostly solid. One new title in the mix. Here we go!

DC Comics

Justice League #20 
Writer: Geoff Johns
Artists: Gene Ha, Joe Prado (Cover by Ivan Reis), Gary Frank (Shazam backup)

I am super excited for Trinity War, you guys. This issue of Justice League continues the prologue, and it ends on a really awesome note. In a related statement, I love the new 52 Atom, Rhonda Pineda. There have been some missteps with “casting” (or lack thereof) in the new 52, but she is absolutely not one of them. Also Element Woman reminds me a little of Delirium from Sandman, and that’s a really good thing in my book.

There were some revelations, some foreshadowing, and some action. Overall, a pretty strong issue for anyone who’s invested in any of the Justice League storylines.

The Shazam backup is rolling towards its conclusion. I’m a little mixed on the idea of a 21-issue origin story, but since it’s getting less page space than a main issue would, I’ll let it slide. It’s also been pretty good, but I’ve been a fan of Shazam since I was a kid. These last two have been more about Black Adam than Billy Batson, but that’s okay. They’re linked. The next issue is allegedly the conclusion, so I hope that means we’ll start to see the Marvel family getting involved with some of the other DC titles.

Favorite panel:

Superman #20
Writer:Scott Lobdell
Artist: Aaron Kuder

Hector Hammond invades Superman’s mind and hides out in all his hopes and dreams for happiness and peace. This sounds crazy, but it sort of works. But more importantly, Orion and Diana have a non-thing that makes Clark’s speech bubbles look frosty. I’m not even kidding, and it’s awesome. I really like the Clark/Diana relationship, which I’ve said a billion times before, because it’s a chance to tell some new stories for the characters. This felt like a bit of a filler issue, finishing off the one-on-one fight between Superman and Orion, and setting up some weird zombie!Lana (yep) something for the next issue. But it had some of the best comic book onomatopoeia I’ve seen in a long time.

Favorite panel(s):

The Green Team: Teen Trillionaires #1
Writers: Alt Balazer, Franco
Artist: Ig Guara (Cover by Amanda Conner)

With most TV shows, I give them 3 episodes to catch me before I drop. I have basically the same rule for comics, unless they’re really bad or really expensive. I’m giving The Green Team two more comics (to be fair, I feel the same way about The Movement).  I’m kind of wary of this whole “socioeconomic privlieged vs. downtrodden” thing they’re doing, which I’ve said before. But I get that rich people who use cool technology to fight crime and do justice are popular now (right, Tony?) so DC is giving it a shot. You know, besides the 50 Batman titles and stuff.

I don’t know enough about the characters to care about them yet, but I’m already intrigued by the villain(s). We’ll see how the next couple of issues go.

Favorite panel: 

Marvel Comics

Journey Into Mystery #652
Writer: Kathryn Immonen
Artist: Valerio Schiti

Um, I love this book. I’d never been a big Asgardian reader, but I started reading JIM when it started focusing on Sif, and I haven’t regretted a single moment. The art is awesome, the writing is awesomer still, and the book is just a lot of fun to read. The first arc was one of the best action stories I’d read in a long time, and since Sif dealt with her berserkerness, the story has settled into a really enjoyable tone and pace. This month’s issue had appearances by Jane Foster (yay!) and Tony Stark (he’s cool too, I guess). Also Beta Ray Bill showed up, and if you don’t like Beta Ray Bill, well. I guess we’re all entitled to our opinions.

Favorite panel:

Young Avengers Vol. 2 #5
Writer: Kieron Gillen
Artists: Jamie McKelvie, Mike Norton

This was a nice end to the first arc of the new Young Avengers title. I like this team – the characters (for the most part) and the creators (totally) – and it’s been a solid title since it launched. It blends action, pop culture references, humor, and heart, which is a great way to become one of my favorite comics. This wasn’t my favorite issue, but it was still good, and I’m absolutely excited to see what this group gets up to in their next arc.

Favorite panel:

Book of the Week: Journey Into Myster #652 (Though Justice League #20 was a close one.)

See you next week!

Justice League 12: Kissy Time

by Sam (@retconning)

Warning: spoilers for Justice League #12.

Single sentence review: Justice League 12 managed not only to weave together the two main arcs from the previous year – which had seemed very disjointed to me before – but also make me interested in the future of the title. And, oh yeah, there was that kiss.

When news broke that Superman and Wonder Woman would start dating, I immediately decided that I… didn’t really care. I haven’t been heavily involved in the DCnU, for a wide variety of reasons, and I have never been a into the Justice League (unless it’s the animated Justice League). While I was unemployed, I decided to not keep up with comics in general, and nothing I had read in the first two months of the DCnU had really convinced me to stretch my budget to cover the read. But I’ve always been a fan of DC in general, and I have always loved Superman and Wonder Woman.

This is to say that I think I went into this with considerably more of an open mind than I was seeing around the internet. I enjoyed the Superman/Wonder Woman pairing in Kingdom Come, and I think he’s a better match for her than Batman. If you have to match her, which of course you don’t.

And then I actually read Justice League 1-11 in preparation for today’s release. I wanted to see if this just came out of nowhere. You can read my catch up on issues 1-6 here and 7-11 here. I wasn’t impressed with the story arcs, but basically, no… the kiss didn’t come out of nowhere. This has absolutely been set up, and there are definite signs in there as early as Wonder Woman’s first interaction with Superman. But more than that, when you look at this from a story perspective, it not only makes sense, but is sort of a classic romance story. Whether it lasts or not, I dunno. But from their first meet cute to Steve’s disappearance/torture/reappearance, there have been threads of a romance woven into the main narrative. They just survived an encounter in which phantoms tried to steal their souls (or… something) by tricking them into feeling less alone, and letting their guard down. Batman’s parents came back, Cyborg saw his “whole” self, and Diana saw Steve. Then the phantoms were defeated, and they were left feeling alone. Then Diana – in what I think is a classic superhero move – distanced herself from the non-powered Steve in order to protect him. Leaving her feeling alone.

Superman and Wonder Woman dialogue, describing a feeling of being alone.

So you have two very powerful, very vulnerable people who feel like no one in the world is like them. And then they realize that, well, they’re kind of like each other. I can see that. I have seen it, in plenty of stories, comic or otherwise. I can buy it. I was actually satisfied when they finally kissed, because that’s what you do when you feel alone: you reach out and hope you find someone who’s like you reaching back. I could relate. A lot.

Of course, I can’t look at this just from the perspective of the story. This disconnect between the “in universe” narrative and the effect pop culture has in the broader world is why I get so annoyed when lesbians on TV kiss dudes. Even if it makes sense inside the story, we exist in a world where lesbians are very rarely portrayed well on TV. Progress comes slowly, and dude-kissing lesbians seems like a step back (and don’t even get me started on the issue of bisexuality on television). So I get that I can’t just say “the story made sense” and wave the rest away.

I mean, I will be the first in line to say that the in-air kissing cover is sort of silly. Then again, covers are supposed to sell comics. When I was a kid, I bought my very first superhero comic (Flash vol. 2 #34) based on the cover. Maybe it’s appealing to an audience we don’t want. Like people who read romance novels. Who are predominantly women. Or people who go on match.com, a site which helped DC market this issue. Those people are predominantly women also. Or the people who watch Good Morning America (there are a lot of them, GMA beats the Today show in the ratings… a lot), which talked about it on national morning television the other day. A lot of people who watch that show are women.

All of this seems, I don’t know, kind of good to me. Marketing to potential new readers, hooking them with big name draws, and aiming that marketing at a female audience… I’m sorry, but I’m not going to call that a bad move by DC.

Now, if this came at the cost of storytelling, I might have a problem. But Justice League 12 was actually the best issue of the title so far. And, let me just say this right now: I am absolutely on board with comic companies changing the narrative of their universe. I was disappointed with DC when Bruce Wayne didn’t stay dead, because the Batman title was at its most interesting with Dick in the cowl. I was disappointed with Marvel for bringing Steve back, because Bucky was super interesting as a Captain America attempting to make up for being a Soviet assassin. One of the main reasons I checked out of the DCnU was because I didn’t feel as though they really did much to change up the status quo. So while I may agree that Lois & Clark are an iconic couple, I’m not going to spend a lot of time mourning it. I’m going to keep reading. You never know what could happen in the future. I’m a soap fan, and soap fans know that no relationship lasts forever, and that every relationship comes back around again.

The Punisher, by Greg Rucka, Marco Checchetto, and Matt Hollingsworth

I’ve never read an issue of any Punisher comic before. It’s one of those titles that I tend to avoid based on the premise — guy’s family is killed in order to provide him with a character motivation to kill lots and lots of people in a campaign of terror against criminals. Absolutely no offense meant to the character, the titles, or fans of Frank Castle, but it simply has never sounded like a thing I would like. That’s okay. The world does not have any requirement to cater to my tastes.

But I picked up, and bought, and read the first two issues of the new Punisher title because Greg Rucka wrote it. And I have never — not once — regretted spending money on Rucka’s work. I’m sure it will happen at some point, of course — Rucka is not superhuman, nor does he read my mind, nor do we carry on a secret correspondence in which I tell him EXACTLY what I want in my comics and he goes and writes them. But I haven’t been disappointed yet, and that’s a pretty good record. Good enough for me to buy a comic I have no interest in.

My faith was justified, as it turns out. Turns out, The Punisher is, so far, a story about the people on the periphery on Frank Castle. It’s a story about cops and criminals and victims, and if the least thing we get out of this title is a Gotham Central for the Marvel Universe, I will be the happiest reader there is. (I suspect we are going to get something different from that, though. This is now, and that was then, and the Marvel U is not the DCU. Or the DCnU, either, but more on that in a moment.)

The Punisher is, so far, about Frank Castle’s world. In this world we have a mix of races and ages. We have a diversity of jobs and professions. In the world of The Punisher we have both men and women, working towards their goals in the best ways they know how.

Let’s talk about that for just a moment. Let’s talk about the women.

In issue two of The Punisher we have the following female characters with speaking parts, in order:

Two criminal leaders / masterminds of some sort
An ace reporter
A series of coerced prostitutes
A drug-dealing madam
An injured combat veteran war hero
The two criminal masterminds, again

Any of these roles could have been written as men — even the prostitutes, yes. None of them were.

The world of Frank Castle, the world of The Punisher as written by Greg Rucka and drawn by Marco Checchetto, has women in it. Some of those women have power, others do not. The kinds of power they have are different and distinct. Their roles in the story vary, from plot point to window dressing to principle antagonist. They are all people, all there in the story for well-considered reasons. Moreover, they are all drawn in such a way as to reveal who they are to the reader — sleek hair and overcoats for the criminals, barrettes and blue jeans for reporter Norah, tacky lingerie for the hollow-eyed prostitutes.

If it’s not clear, yet, I really like The Punisher. I hope it continues. I hope it thrives. I hope editors Rachel Pinnelas, Stephen Wacker, and Axel Alonso give Rucka and Checchetto all the time they want for these stories.

Over in the DCnU, Justice League issue one came out. In that story, featuring criminals, cops, reporters, and average folks, one female character had a speaking part.

That character is a cheerleader.

Her back is to the reader.

She has no name.

I didn’t buy Justice League #1. My world — and the world of Rucka, Checchetto, Hollingsworth, Pinnelas, Wacker, Alonso, and Marvel comics — is wider than that.

by Sigrid

Email: sigrid @ fantasticfangirls.org
Twitter: sigridellis