Chit Chat: Iron Man 3

Chit chat is a dialogue between two or more of our contributors. It’s done online 99% of the time but you can imagine us discussing it over coffee. Or vodka, depending on the subject material.

Anika: Today we’re talking Iron Man 3. This conversation contains MANY SPOILERS for the film and franchise.

J.A.R.V.I.S.

First, did you like it? How much? What grade might you give it?

Ali: I hate the grading system because… I just do. I always make up arbitraty numbers or letters. Like, I give Iron Man 3 a banana because it’s really good but it’s not my most favorite fruit.

Sara: I really, really enjoyed this movie. It exceeded my expectations and I spent such a long time after the movie ended remembering parts that made me happy or gasp out loud or really appreciate the genre that this movie is a part of. Iron Man was the first to kick off the Marvel Cinematic Universe and RDJ has shouldered a lot of weight since the beginning. He’s risen to the occasion and with Iron Man 3, he gave more depth to a Tony we all know well from the comics. I guess I give it an A- because I loved it, but there were weaknesses. And I am totally not as clever as Ali, forever sad about it.

Ali: Bananas aside, I agree with Sara. This installment gave Tony a LOT of depth. And I liked it for that.

Tony has a special room to display his issues.

Tony has a special room to display his issues.

Anika: I have to agree, this Tony Stark was my favourite Tony Stark other than the one that exists in my head … because he basically is the one that exists in my head. In every previous encounter, including Avengers, Pepper has been my favourite but in this one it was Tony. And it has a lot, if not everything, to do with his anxiety (you are not surprised) — what did you think of that arc?

Ali: I LOVED the panic attacks.

Sara: Tony was on top of the world at the beginning of the Avengers. He had the girl, the renewable energy source, the Iron Man suit, and a arc reactor that wasn’t turning his insides into sludge. He had nowhere to go but down. I really enjoyed his interactions with reality via the panic attacks.

Anika: Do you think that plotline reached a satisfactory conclusion?

Sara: Um, no. But I don’t think it was supposed to. I think that is best left up to Avengers 2, where Tony is going to have to make the concious decision to join up with the people that put him in the position of being lost in space. (I know nothing for sure, this is my guesstimation about what will happen in that movie)

Ali: I mean, it’s a bit tidy at the end because it’s a movie and it has to be. But I like that he’s having a panic attack on his way to fighting the bad guys. And I like that they show him learning to pull himself out of it.

Anika: I agree with both these points. (1) It has to be tied up for the movie but (2) the MCU is an ongoing drama . . . Just like the comic books it’s based on! Imagine that!

Sara: Word.

Ali: I like that while he’s having he first attack, he refuses to believe that’s what’s happening to him. I love Tony for his confidence and his brashness–he permantently has that youthful “I’m invincibleness”. And in this movie, he’s learning that that’s SO not the case anymore. It’s a very basic and very real lesson of growing up. And that’s really what Tony starts to do in this movie.

Anika: Which is interesting because it’s what he thought he was doing in the first movie but “coming of age” is a long journey.

Ali: It’s like Iron Man is “look at me being responsible and shit! I AM AN ADULT”, Iron Man 2 is “I AM AN ADULT YOU GUYS! I DRINK AND BLOW THINGS UP” and Avengers is “fine, I will work with you because I AM A GROWN UP NOW.” and then Iron Man 3 is “holy shit I’m an adult… this sucks.”

Sara: Yes. This movie was Tony in his late twenties.

Ali: Which I love because he should be well beyond that at this point!

Sara: I feel like Tony was in his “college years” for most of his life.

Anika: That’s what happens when you live without boundaries. Which is a great segue into Tony’s boundaries: Pepper and Rhodey. I want to start with Rhodey because I cannot say enough great things about him.

James Rhodes

Ali: I love Rhodey. And I love Don Cheadle. But it’s like when Jim Henson passed away and the Muppets all sounded wrong.

Anika: I sort of felt that way in 2, but not here. Here he owned it.

Sara: What? Why?! I vastly prefer Don Cheadle to Terrence Howard!

Ali: I keep expecting Terrance Howard and Don Cheadle seems to be doig a psuedo impersonation of Howard and it’s weird to me.

Sara: I think Don Cheadle really pulled off the wry and dry comedy that is needed for the role of Rhodey. And the scene with Rhodey and Tony in the resteraunt was everything I ever wanted for a post-Avengers Tony.

Ali: That restuarant scene was perfect.

Anika: I don’t have a preference for Howard or Cheadle — I wasn’t really invested in the character in the first two films. Only in his relationship to Tony. But in this film, well, Rhodey Rox!

Sara: I love how, like Cap, his patriotism and some what old school brand of heroism comes off as sincere and admirable, rather than douchey and two dimensional.

Ali: Yes!

Sara: He’s a perfect foil for the flashy and grandstanding rebel that is Tony and it’s why he works so well in this movie. This narrative was about Tony falling to pieces and needing something to hold onto. Rhodey (and Pepper) is that stability. He is steadfast and true and so very necessary to Tony’s development.

Pepper Potts

Anika: Now Pepper.

Ali: PEPPER FREAKING POTTS

Sara: Bless GP, that woman is flaw-free.

Ali: At the end? With the fire ninja stuff? She’s just the best ever.

Sara: My precious, kickass Pepperpot.

Anika: Y’all know I love Pepper. Pepper has been my girl since the first movie. But…

Ali: I love how at the start of the movie Tony’s all “I have to protect you because I can’t lose you.” And Pepper’s freaking Pepper. She’s capable and can take care of herself AND Tony. And I love, love, LOVE that they let her save him, in a very physical way, not once but TWICE.

Sara: “Got you.” I think that broke me so many times.

Ali: She is the very opposite of a damsel in distress.

Anika: But but but…. she was already. She was that in the first movie. In both the first and second films she literally runs INTO distress to save the day. Everybody loves kickass fire ninja hardcore Pepper and I’m over here all SHE WAS ALREADY PERFECT.

Sara: That’s the thing. Whether she’s in 4 inch Louboutins or overheating in spandex and sports bras, Pepper has always been HBIC. Because, so unlike Tony, she knows that her emotions (her worries, her grasp of reality) are not something to be avoided or buried. They are there to make you strong and that’s why she’s always been a HBIC and she’s always been Tony’s rock, even while she is tearing up or teetoring over the edge of some building. Pepper Potts is a woman that won’t let anything stop her from doing what needs to be done.

Anika's favourite quote.

Ali: She was and she did. But I think with the other movies, it’s not as apparent to Tony.

Anika: I disagree, in the first she’s the one he counts on and in the second he gives her his company.

Ali: Like she’s saving the day and putting herself in danger, but she’s helping Tony. In this movie, she’s saving Tony.

Sara: Physically, maybe. But I think Pepper is a huge reason why Tony hasn’t expired in a pool of his own vomit. Or why he got up in the morning and did real people things. Pepper has been saving Tony ever since he met her.

Anika: I do love the ‘Got you’ scene but I didn’t love the end as much. “That was really violent” was maybe my favourite line reading in the whole movie but it WAS really violent which felt kinda off.

Sara: It was terrifying.

Anika: Though it may be all tied up in my general dislike of Killian as a villain. For me, the scene plays better in the rewrite in my head…

Ali: Did anyone notice his dragon tattoos? I was totally distracted by them.

Anika: Yeah, they popped out at the end there. I guess because he’s the real Mandarin??

Sara: Ooooooh, I didn’t get that from before.

This is the best image of the tattoos I could find. To make up for it Caroline sent me Guy Pearce with chest hair and tiger cubs.

This is the best image of the tattoos I could find. To make up for it Caroline sent me Guy Pearce unbuttoned with tiger cubs.

Ali: Like, were they there the whole time? Why don’t they blend in with the general fireness of his skin? Do you think he got them when he was still all pimply? Or did he get them because he got all bad ass?

Sara: I’d guess the latter.

Ali: I think he got them right after the roof-top incident. “I’ll show you Tony Stark! Look at my bad-ass dragons!”

Anika: Ahahaha, that is my headcanon now.

Sara: Same.

Anika: So, how strong did you find the villains? Killian, Maya, “Mandarin”?

Mandarin?

Ali: I loved the twist with the Mandarin. I thought it was brilliant. Well, I thought Ben Kingsley as Trevor was brilliant.

Anika: I started to suspect something when they were discussing “the Master” but I really enjoyed that, yes.

Sara: This is just the most brillant of analyses and everyone needs to read this at some point. It says anything I want to say about it.

Ali: I was kinda bummed Maya ended up being Team Bad Guy.

Anika: That’s in my rewrite-the-ending too! There is no reason for her to be dead. And she cared about Tony AND Pepper. I wanted and expected her to come back for the final battle.

Ali: I mean, she wasn’t a bad guy-bad guy. And I can see how she ended up there. But still. I had a sad. I think her getting killed goes back to the “really violent” thing. Killian is REALLY violent. Just insanely so. So I guess that went into establishing that?

Anika: I didn’t get Killian. Or I wanted him to be better I guess. I think the drama was that even Killian 2.0 was not a good enough foil for Tony Stark… But I wish that was more explicit or they played with it more or Tony realized it?

Sara: Charisma is a poor substitute for genius and that is what Killian tried to pull over on everyone.

Ali: I’m kind of glad he wasn’t that great a foil. Because I think we got to see and appreciate more of Tony’s struggle with Tony. I think if they developed Killian and Mandarin more it would have competed too much.

Anika: I don’t think I want more development, I just thought the themes that I was drawn to were too vague? So I don’t know if they were intentional? Which usually doesn’t bother me, but it does here.

Sara: I agree. I kept waiting for a bigger plot or bigger bad, I guess. As it was, I never understood what Killian was getting at.

Anika: Yeah, what was he even trying to do?

Ali: He was evil and trying to take over the world, duh.

No one can grasp my evil plan.

No one can grasp my evil plan.

Anika: I must assume the VP plot is on the cutting room floor somewhere because it was super random. Also, unrelated, why did this movie come out in May and not for Christmas?

Sara: To sell the DVD for Christmas?

Ali: Ha! I was thinking the same thing – with all the holiday stuff.

Sara: Yeah, Aldrich even kind of rhymes with the Grinch. If I were more clever, I would rewrite the song with appropriate and funny lyrics. But, alas.

Ali: Look, every bad guy can’t be Loki.

Anika: Hey, I’d settle for Justin Hammer.

Sara: Marvel villians aren’t good enough for me.

Anika: There are two more supporting characters to discuss, Happy and Harley. Aside: Everyone in this movie has a crazy name.

From the junior novelization.

From the junior novelization.

Sara: It’s hilarious to me that with Jon Favereau’s demotion from director also had Happy demoted to even less screentime.

Anika: He had more to do though.

Ali: I was gonna say, Happy actually did stuff in this one!

Anika: He was pretty lovable.

Sara: Happy is always lovable and Tony described him as his best friend. Adorbs and totally insulting to Rhodey. Just what Tony strives in life to do.

Anika: And I liked the kid. I liked that Tony basically treated him like one of his robots, which really is more affection than he affords the average person.

Ali: Ha! He did! The kid took the place of the robot!

a screencap of Harley and Tony

Harley is the Tin Dog.

Sara: I loved that comic relief. So needed!

Ali: I love how genius that kid was.

Anika: I liked how normal the town was, too. Like it wasn’t dumbed down or full of freaks just because it was small town Tennessee instead of New York or Malibu. I think the crux of it is I really loved all the details in this movie, but the big picture not as much.

How about we wrap up with favourite moments?

Ali: Pepper and Maya being all serious talking about life and real stuff. I saw it and I was like OMG BECHDEL TEST!

Anika: Passed!

Sara: YESSSSSSSSSSSSS

Ali: HURRAH!

Ali: I was so excited!

Sara: It’s sad how excited we get because it almost never happens.

Ali: I think that’s why I was so upset she ended up being a villain because she had this really great moment with Pepper.

Anika: I am convinced she had a change of heart because of Pepper.

Sara: Her death was just so stupid.

Ali: Joss Whedon TOTES would have killed her.

Sara: Yeah, but in a better way!

Ali: I think Maya was totally honest and real in that conversation. She wasn’t just trying to manipulate Pepper.

Anika: Right! And Pepper surprised her by understanding. And then she sees Killian hurting Pepper and using her… it’s not faith in Tony that changes her mind, it’s Pepper.

Near death experiences change a person.

Near death experiences change a person.

Anika: Also, I ship it.

Sara: Lol, of course.

Anika: I think the rest of her story was cut too. But she can come back. I will start a petition to put her in an Avengers film.

Sara: Where do I sign?

Anika: Other favourite moments:

Ali: Ummmmmmm……giant bunny?

Sara: Barrel of Monkeys.

Ali: Good one! Puppy dog eyes not working?

Anika: When Tony had empty armor walking around and Pepper did not bat one eyelash. She didn’t even look at it.

Ali: Ooh! Ohh! Trevor and the stinky bathroom!

Sara: I was so distracted by Pepper’s abs and Rhodey’s arms for the entirety of that last scene.

Anika: Tony going back for DUM-E. I could cry.

Ali: SCIENCE BROS and the after-credit scene!!!!

Marks


Anika’s Rewrite:

Pepper whacks Killian with the pipe.
Tony: I got nothing.
Pepper engages Killian in a debate… “Why are you DOING this? This isn’t YOU?”
Killian: Exactly!
He starts to monologue about his cray idea that anonymity is power and he can be anything and anyone even Tony Stark!
Pepper: You’re nothing like Tony Stark. You chose to be nothing.
Killian: *rage*
Tony: Come on, Pep, he’s not worth our time.
Killian: *RAGE*
Killian goes in for the kill on retreating Tony and Pepper.
Maya appears and blasts him out of the sky.
Pepper: That was really –
Tony: Hot, yes.

Maya Hansen for Avengers 2!

Maya Hansen for Avengers 2!

Q&A # 201: Flashback: What comic book characters should go on a road trip together?

In Q & A, a weekly feature of Fantastic Fangirls, we ask our staff to tackle a simple question — then open the floor to comments.

Flashback: What comic book characters should go on a road trip together?


ALI

First off: let me just say that I have wanted to answer this question since it was first asked back in Q&A #74. It’s the initial reason I kept coming back to this site and part of why I was so excited to be part of Team Fantastic Fangirls. I love this question so, so, so much.

And now I have to answer it. *gulp*

Right now, my gut-reaction answer is Kid Loki and Miss America Chavez.

I love the dynamic the two of them have: you’ve got the no-nonsense, direct straight-man and the all-nonsense trickster. They’d have this whole Brienne and Jamie thing going. It’d be fantastic! That said, I think the actual travel in this road trip would be from America punching Loki across state lines, as opposed, you know, actual driving.

So. My final answer.

Stephanie Brown and Hope Summers

I very nearly went with Steph and Kara here, because the Batgirl-Supergirl team-up to fight movie Dracula issue is probably my most favorite comic in the history of ever. But I think part of the fun here is to mix and match characters across universes.

Hope Summers has spent the majority of her life traveling across time and space. You’re probably thinking she doesn’t need a road trip. I respectfully and heartily disagree. Hope needs to know what it’s like to travel without being chased by a mutant from an alternative future that’s trying to kill her. She needs, more than anyone I think, to be shown what it’s like to have fun.


SAM

My default answer to any sort of wacky-hijinks-team-up is usually Clint and pre-reboot Ollie. The shenanigans. Oh, the shenanigans.

But in the spirit of creativity – or at least non-repetitiveness – I’m choosing some new people! Feel free to imagine the hilarity of Clint and Ollie driving through the countryside in some flash convertible.

I’d like a Volkswagen Bus full of Asgardians to head out from Asgard-on-Earth and travel around, getting to know Midgard via all the wacky Americana there is to experience, like the world’s biggest ball of rubber bands, or something.

Thor, the Warriors Three, Sif, and, because I’m currently in love with Fearless Defenders, Valkyrie, can all squeeze in. For even more comedic gold, throw in Kid Loki. And for the fish out of water who’s the readers’ connection to the heroes… Annabelle Riggs (did I mention I’m currently in love with Fearless Defenders?). Preferably with her helmet.


SARA

I think the better question for me to answer is which comic book characters shouldn’t go on a roadtrip together and the answer of course is no one because, oh my God, the hilarity of any heros going on a trip together is too priceless to ignore.

Fine, fine, I’ll give a real answer.

While I would truly enjoy any team-up ever on this endeavor, at the moment, my most desired roadtrip would be between the Avengers from MCU. There, I said it. Welcome to my life.

I am apparently not the only one, as this amazing artist graced us with their work last summer and you can find it at their tumblr, ICannotBelieve.

After seeing the Avengers movie last year, the one thing I could not wait for was team storylines. Not fighting for good and justice, but rather coming together to be the amazing personalities that they are under one roof.

So what if it was a car roof?

Like, did we all see the same ending to the movie? I think we did.

And, thank Jeebus for fanfiction, because it gave me what I needed at the moment. Jibralis wrote an amazing, heartwrenching fic called The sky and everything beneath it and you should all read it here and leave kudos and tell me what you think about it!


So what about you? What comic book characters should go on a road trip together?

Q&A # 200: What do you remember about the first comics you read?

In Q & A, a weekly feature of Fantastic Fangirls, we ask our staff to tackle a simple question — then open the floor to comments.

Happy Birthday, Q&A!! What do you remember about the first comics you read?


ALI

Comic books were not something that were ever really in our house growing up, and not something I sought after when I could just watch Super Friends on TV instead. I mean, I’ve always loved superheroes and adventure stories. He-Man, She-Ra, Danger Mouse, and ThunderCats pretty much consumed my childhood. But never comics.

When I was 11 or 12, my dad came home one night with polybagged copies of Death of Superman for me and my brother. Convinced they would be very valuable someday, he told us under no circumstances should we take the comic book out of its shiney bag. We were to save it until we were adults, when it would be worth lots and lots of money.

Breaking the rules was never something that came easily to me. But I HAD to know what happened. I mean, how could Superman just DIE? He was the strongest guy in the universe! He could fly so fast that he made the world go backwards. I knew ’cause I saw him do it on the WPIX Sunday Afternoon Movie like five times. Guys like that don’t just get beaten by bad guys. And they certainly don’t die.

So one busy Saturday afternoon, when my parents were off doing house and yard work, I crept downstairs and got the good scissors out of the junk drawer. I went back into my bedroom and locked the door. Ever so carefully, I cut the top of the polybag off. I can still remember the crinkle of the mylar and the smell of the glossy paper. I remember the weight of the comic being heavier than I thought it would be. Convinced what I was doing something was very wrong, I hide behind my bed and, knees to my chin, gripping the book with both hands, and read my very first comic book.


SAM

I remember wondering why Betty and Veronica bothered fighting over Archie when they were clearly meant for each other.

I actually distinctly remember this panel. For the urk.

No, but seriously. My first comics were Archie comics, the kind you could buy in the supermarket checkout lane. I had stacks of Archie, Betty & Veronica, and Jughead double digests hanging around my dad’s house. I was just a kid, so I was more concerned with Jughead’s awesome pranks than the relationships of the characters, but I definitely had my favorite. Oddly, none of them were Archie.

My favorite Double Digest was a summer special, that involved a lot of beach-related stories, like the one with the scene from above. I still don’t know what drew me to those books, but I devoured them like nobody’s business.

Even twenty years later, I remember a lot of the little shorts from the various books. I wish I’d held onto at least some of the stacks of comics, because I’d love to reread them and relive the stories. And as a modern, adult comic fan, I feel oddly proud that Archie Comics is often at the forefront of the industry when it comes to diversity and social issues. Now if Betty and Veronica could just figure themselves out, drop that Archie jerk, and admit their love for each other… everything would be perfect.


SARA

It is so ridiculously appropriate that I am answering this question because, at this very moment, I am re-reading the first comics I ever read!

Batgirl, featuring Cassandra Cain as Batgirl, is the best introduction a 12-year-old gril could possibly have to the comic book world. Yes, I am biased. No, I don’t care. Cassie Cain is awesome.

I learned about the Batfamily through shows like Batman The Animated Series and Batman Beyond, but Silent Running was the first ever comic book I could remember picking up and devouring. For those of you that never read the book, it was basically Cassie’s origin story and backstory rolled into one. Cassie was mute, having not been exposed to spoken language by her mob boss father, who deliberately did so to train his daughter to be the ultimate weapon. A killing machine that didn’t slow herself down by translating human movement into language in her head? And the Father of the Year Award goes to…

But why is Silent Running still such a pinnacle book for me? Probably because Cassie exhibited true heroism and bravery and it made me really excited for her character. After Cassie’s illiterate/mute status was explained, she comes across a telepath who scrambles her body-language reading brain into one that understands and communicates in spoken words. This rewiring leads Cassie to slow down in combat against four gunmen. Does that stop her?

Nope. Did the shots hurt?

Probably.


So what about you? What do you remember about the first comics you read?

Q&A # 198: What cancelled comic book do you miss the most?

In Q & A, a weekly feature of Fantastic Fangirls, we ask our staff to tackle a simple question — then open the floor to comments.

What cancelled comic book do you miss the most?


ALI

There were a bunch of comics that came to mind when I started thinking about this question: Bryan Q Miller’s Batgirl, Jimmy Palmiotti, Justin Gray and Amanda Conner’s Power Girl, Paul Cornell’s Captain Britain and MI:13, and Kieron Gillen’s S.W.O.R.D. But as much as I love those stories and wish there was more of them, they all got an ending. Maybe it wasn’t the ending that was planned and usually it was a bit rushed, but there was closure. So while I do miss them, I feel like I can always revisit them as complete stories.

The comic I can’t do that with is Thor: The Mighty Avenger (a.k.a. My Boyfriend Thor) by Roger Langridge and Chris Samnee. Definitely one of my Top 5 Desert Island comics, My Boyfriend Thor was cancelled after 8 issues with no resolution to the story that was being told–regardless of the “Issue 8 of 8” Marvel put on the cover of the last issue.


CAROLINE

They say that you will always be nostalgic for the comics that were coming out when you first got excited about comics. I have found this is true and it is true even if the year was 2006 and the comics that opened your eyes to the beauties of the Marvel universe included one where a dude with a Messiah complex and a metal arm lived on a shiny island with his best friend the insane mercenary.

Cable & Deadpool we barely knew thee. But seriously, your first 35 issues were amazing.


GABBY

I wish Alias, by Brian Michael Bendis, had continued. Don’t get me wrong; I do think the evolution of Jessica Jones as a character followed its due course by switching titles. I liked The Pulse (because who doesn’t love Spider-Man cameos?). She’s now in The New Avengers, along with her family, and that feels right for where she’s at in her life. But I feel like Alias brought more focus on her, as a person. She deserves to be the main character of her own title, because she struggled to get where she is now, and will do anything for the people she loves. I just want more of her.

And I mean, Alias brought us gems like this. So I would like it back, please and thank you.


SAM

Young Justice. Oh, Young Justice, how I could wax poetic about you forever. I would also accept the Teen Titans lineup pre-reboot, but it’s really Young Justice that does it for me.

Uh, the one from the 90s, not the current/also cancelled TV series Young Justice. I’m talking about the team of Superboy, Impulse, Arrowette, Robin, Secret, and Wonder Girl (and later a few others). Sure, it had its issues (like, er, that whole overly-endowed character thing) and was clearly aimed at teenage boys, but whatever. To this day, it’s the only comic for which I own the entire run, from first issue to last (and specials, and annual, and some tie-ins). I’m not much of a collector, so that’s actually a pretty big deal.

Here’s why I miss it: DC’s current teen titles are just falling totally flat for me. I tried! I did. But none of the rebooted characters feel like the characters I fell in love with. There was a magic about that group, something I connected with immediately and strongly, and I haven’t found that with any of the current Teen Titans, whether in their team book or individually. It’s funny, because I will defend almost every editorial choice made so far with the reboot (or at least be willing to give it a chance), but I just can’t get behind the current teen characters.

So I miss Young Justice. I miss all the characters who have been rebooted into shadows of their former, awesome selves.

At least I’ll always have my box full of comics. I’m probably due for a reread…


So what about you? What cancelled comic book do you miss the most?

Skipping to Conclusions: Grant Morrison’s Wonder Woman

In geekdom, we see a lot of teasers. Sometimes it’s just an image or the name of a creator, other times it’s a trailer or a simple tag line. Whatever it is, it’s meant to get a reaction from you and start a discussion. Inspired by the anticipation and buzz caused by these teasers, we at Fantastic Fangirls present Skipping to Conclusions in which we speculate about the comics, movies, TV shows, or whatever we’re excited about but hasn’t come out yet.


With his New 52 run on Action Comics coming to an end, Grant Morrison is making the rounds with the comics press. And once again, Morrison is talking about his yet to be officially announced Wonder Woman project. He’s keeping the details very vague, but Morrison has been talking about Wonder Woman a lot. Well, maybe not a LOT. But enough that I can start skipping to conclusions about it!

Opinions on Morrison as a writer aside, he has written some defining comics for both Batman and Superman. DC giving Morrison the reigns on Wonder Woman means that maybe, just maybe, they’re taking Diana as seriously as Bruce and Clark. Yes, I know she’s part of The Trinity, but let’s be honest, the Amazon rarely gets the same red carpet treatment that Supes and Bats do. So seeing Morrison’s name attached to Wonder Woman means DC is treating this project as a priority. And that is a good thing.

Personally, I like Morrison’s work. He’s not necessarily one of those creators whose books I absolutely HAVE TO pick up, but All-Star Superman and Batman and Robin are some of my absolute favorite comics. So depending what the project is, I’ll at least check it out. The thing about Morrison is he GETS superheroes. He gets superhero comics. And he unabashedly, unironically loves them. And that’s what I Iike most about his writing; it’s what makes his stories compelling for me. I think Diana’s in good hands with Morrison.

Now. Here’s the controversial bit.

This is what Morrison told Entertainment Weekly on what he’s planning on for the Amazon Princess:

Wonder Woman came out of this alternative sexuality, and that’s why they were so popular. Once the editors realized, “There’s a lot of tying up in these stories, we should tell him to slow down on this” — as soon as they stopped all that stuff, Wonder Woman sales declined, unsurprisingly. When Marston died, the sales never quite recovered.

A lot of great writers and artists have worked on Wonder Woman. Brian Azzarello’s doing a great Greek Myth-flavored take right now. But something of what [Marston] brought to it was never there again. Especially when the TV series came along: Linda Carter did such a brilliant job of doing Wonder Woman for TV, but she was kind of Mary Tyler Moore, you know? She wasn’t a sexual creature, really. Wonder Woman’s had to represent women without really having much of a sex life. It’s ridiculous! Superman’s got Lois, and Batman’s got all these fetish girls he runs around with. Wonder Woman’s kind of suffered, because that aspect of her, a sense of her humanity, has been taken from her.

This sound bite has rubbed a lot of people the wrong way. The first time I read it, my gut reaction was:

But when I stop and think about for a bit, I think maybe he’s on to something. Just hear me out.

Over the years, Diana has kind of  been placed on a pedestal. At this point she’s up so high that she’s not relatable, and sometimes, not particularly likable. People get caught up in how much of an icon she is that they forget she’s a real person (not real-real, but you know what I mean). She has feelings and she loves people. She loves humanity enough that she’s given up her life in Themyscira to build a home in our world. A woman like that is going to get into some romantic entanglements. She’s going to have sex. Probably, occasionally, it’ll be with the wrong person. Diana is capable of great love. And with that comes some sexytimes.

On top of that, Wonder Woman is the embodiment of the empowered woman. I think seeing her in control of her sexuality would be a good thing. Portraying her as a chaste demi-goddess only perpetuates the idea that sex is something to be ashamed of. And believe, that’s not doing anyone any favors.

But. Because there is a but. She cannot, CAN NOT, be objectified in this story. If DC or Morrison pulls a New 52 Catwoman, there’s going to be a BIG problem. I’d like to think we’ve gotten passed the need to say that in the comics community; that we’ve learned the difference between sexy and objectification. But it’s still a gray area for a lot of people, so I felt the need to put that out there.

On the bright side, here’s another bit of what Morrison said to EW:

Usually I don’t do masses of research, but for Wonder Woman, I’ve actually been working my way through the entire history of feminism. I want this to be f—ing serious, you know? I want this to be really, really good, to reflect not only what women think, but what men think of women. I’m trying to do something really different from what’s been done with the character before.

I like this! He’s at least trying to get into the head of a woman who’s a feminist. This is a good thing. And I trust him on it. I really do. I think he can write her a story she deserves. I think he’ll give us a fun, sexy Wonder Woman, full of moxie.

There are still a lot of variables. The artist will play a HUGE roll in this project. It needs to be someone who’s not going to draw Diana in break-back pose every panel, with overly pouty lips and heaving breasts. I’d love, love, LOVE to see Amanda Connor drawing this book. DC’s senior editorial needs to be on board with Morrison’s plan and not try to crowbar extra sexyness into the comic. Everyone, not just Morrison, should probably read a bit of feminist theory before starting this project.

As far as Wonder Woman projects go, I’m probably a bit more excited about Allan Heinberg’s Amazon pilot. But this could be really good. Really, really good.

Q&A # 194: Who is your favorite Disney Princess?

In Q & A, a weekly feature of Fantastic Fangirls, we ask our staff to tackle a simple question — then open the floor to comments.

Who is your favorite Disney Princess?


ALI

“I’m a damsel, I’m in distress, I can handle this. Have a nice day.”

Meg from the highly under-rated Hercules is by far and away my favorite Disney Princess. She’s smart, independent and witty, but she’s also dark and twisty and literally soulless (no really! she sold her soul to Hades to save her boyfriend who then dumped her for a younger, hotter model.) Basically I love her because she’s one of those damaged and flawed characters that I love so much, which is not at all the typical Disney Princess. In fact, Meg is not included in the officially branded Disney Princesses. I think it’s partly because she’s dark and twisty and partly because I think Disney likes to kind of sweep Hercules under the rug.

So, if we’re talking the branded Disney Princesses, I have to pick Ariel.

Yes, she’s kind of a spoiled brat. But she proactively makes the changes she wants to see in her life, even though she makes some really poor choices in execution. And once when I was in fifth grade, someone told me I looked like Ariel and it was probably the best moment of my epically awkward tween life.


JESSICA

For me, it’s a tie between Belle and Pocahontas. Belle was made for me to fall in love with – her favorite pastime is reading, she’s a brunette (okay, so this probably mattered more to me when I was a kid than it does now, but even today she’s the only Disney princess with hair that even remotely resembles my own), and she’s totally brave. When she volunteers to take her father’s place? Damn girl. Plus that library, with the sliding ladders? That’s pretty much the only thing I want from my life.

But I’ve always had an affinity for Pocahontas too. She’s just…awesome. And so different from every other princess Disney has to offer. The songs she sings are beautiful, I love how her “palace,” so to speak, is the world around her, and, again, she’s just super brave and awesome. I’m not normally into it when historical-based narratives make big changes to, you know, history, but I’m completely on board with the way Disney chose to end Pocahontas. It’s completely atypical for them. She has the choice to leave with John Smith, and she doesn’t. She decides that there is something more important than following her boyfriend across the ocean to an unfamiliar land. As a character, she’s super strong. And breathtaking, also. Those lips? Those cheekbones? She’s completely gorgeous even though she looks nothing like any of the princesses who came before her.


MARIE

Although she isn’t technically a princess, I’ll always have a special place in my heart for Mulan. She’s a heroine that you can root for: she’s clever, funny, and she tries no matter how staggering the odds are. At the beginning of her journey, she starts out as a girl who isn’t quite sure who she is or knows where she belongs. It’s a pretty relatable and universal problem–especially among the young girls that belonged to the movie’s target demographic. I found her whole arc touching and fascinating because she goes through all the emotional ups and downs of coming to terms with not only she is, but who she wants to be.

I also like her because she can kick serious ass and knows how to use a sword.


SARA

This is, without a doubt, the most difficult question I’ve had to answer in a long time. Choose a favorite Disney princess? I’d no sooner be able to choose a favorite star from the heavens.

(Bonus points to those who picked up that quote!)

It comes down to two, really, and those two represent two facets of my being: who I am most like and who I most want to be.

As to the former, I am the most like Belle. Love of reading? Check. Stubborness? Check. Daddy’s girl? Check. Need to have more than a provincial life? Double check.

Belle is someone I never really considered as a favorite growing up. I looked more to Jasmine then, for both the Arab/Middle Eastern background and the insanely hot prince ;) Belle is someone I grew to appreciate as I grew older and my personality was much more defined by my interests. Plus, she has the most beautiful dress!

To the latter of my posed dichotomy is Tiana, a woman that I desperately want to be more like. She is strong, hard-working, dedicated. Honestly, to a procrastinator like myself, I cannot fathom a better role-model than Tiana.

Plus? She also has the most beautiful dress!

But, in all seriousness, Disney provided me with my first (and, in some cases, most influential) role-models. Disney women do not sit idly by. They take life by the reins and steer themselves to happiness. Tiana’s story is the most blatantly characteristic of that ideal and I love her for it.


So what about you? Who is your favorite Disney Princess?

Fantastic Fangirls Podcast 2.5: Comics Roundtable

In the lastest episode of the Fantastic Fangirls podcast, Caroline, Sigrid, and Ali get down to what the Fangirls do best: talking about comics.

Young Avengers, Wonder Woman, and Saga all have their moment in the sun, along with a lot of other titles (okay, mostly Marvel). Feel free to comment and share any titles you’re enjoying right now.

P.S. This podcast is a bit late because of technical issues, so while I will say that spoilers are included, if you’ve caught up to the last three weeks or so, you should be fine!

Make sure you hang around at the end to hear Ali say, “Mother pus-bucket.” That’s a Top Ten Fangirls moment.

4th Annual Fantastic Comic Book Awards

In Q & A, a weekly feature of Fantastic Fangirls, we ask our staff to tackle a simple question — then open the floor to comments. But this week we bring you: the winners of the Fourth Annual Fantastic Comic Book Awards!


The crowd of well dressed, or at least dressed-up, superheroes stirs as the stage lights burst on and the orchestra starts to play. Most crane their necks for the first glimpse of tonight’s famous, and famously polarizing, host, Deadpool. But the Merc with the Mouth is missing; an elder gentleman calmly walks to the middle of the stage and opens his hands to the audience.

“Hello.” The spotlight shines on Alfred Pennyworth, dressed in a well-pressed if slightly old fashioned tuxedo. “Welcome to the Got Milk Theatre and the fourth annual Fantastic Fangirl Awards.”

an image of Alfred, blue bowtie, in front of a piano

Quiet murmurs and shuffling seats meet his words, but finally the applause swells. “I know the papers, or whatever it is they have in place of papers these days… Twitter birds and all that… You were expecting a Mister Dead Pool as host.” Half the audience answer with affirmative nods and whistles and the other half blush and giggle as they update their friends and followers on the no show and scan the hashtags for information and snark. “Well, as I understand it Mister Pool was called away at the last minute. For an emergency of some kind — to be frank I am somewhat entirely surprised you invited a ‘super hero’ to host your gala to begin with. Schedules are so difficult.”

Maybe ten percent of the crowd believed there was an actual emergency that only Deadpool, of all people, could handle. Most of the rest were placing bets on inappropriate or incendiary humor or behavior. The last few were swooning over Alfred’s accent.

“I apologize to all of Mister Pool’s fans and I will endeavor to fill his shoes with aplomb.” The audience applauded in good nature. “Thank you. Now, please join me in welcoming our first presenter of the evening, the lovely Miss Jubilation Lee.”

Best Character in Supporting Role, Male

Jubilee takes to the stage, wearing an elegant but modernly-cut yellow gown and black combat boots. She points to the audience and winks, then clears her throat. “In a world full of heroes, who can the best -” She cuts off, wrinkles her nose at the teleprompter, and shakes her head. “Listen, the big guys – and ladies – aren’t anything without backup, am I right? And sometimes the best backup is an even bigger guy.”

She clears her throat. “This year, the best male in a supporting role is the biggest guy I know… Bruce Banner of the Avengers.”

Bruce shuffles onto the stage. His suit is well-made but hangs a little too loose on his body and, although his dark hair has been carefully styled at some point, the dark curls have started to come loose and go wild. As Bruce speaks, he touches his hair, and it becomes increasingly disheveled.

He looks down at the statue. “Best supporting character,” he says, then repeats, “Best supporting. That’s something. Mixed feelings, I have to say. That is, I’ve been a title character since before — no offense to anybody here, but before a lot of you were created. A couple movies, my own TV show. But, well, who I’m I kidding, right?” With an uneasy laugh, Bruce touches his collar. “That was never really about me. It was always the other guy. What’s changed over the past year is that people are starting to notice me. Bruce Banner. And yes, to think about me in a supporting role. And I don’t mind that because ‘supporting’ means you’re part of a team. Being part of a team means you’re included and people want you around and — Dammit, I promised I wouldn’t do this.” He starts to sniffle andubs at his eye with a sleeve. “Joss deserves a lot of the credit of course, but please let’s not forget what Kelly Sue has done at ‘Avengers Assemble’ and Tony, no matter how much we’re at each other’s throats, all the good people at SHIELD, and Betty, I know things have been complicated but…”

Bruce seems unable to go on for a moment, and the orchestra picks this inopportune time to begin an all-too-familiar lilting piano theme.

“Don’t–” Bruce’s head jerks up. “Do – not – play – me – off.” The music ceases abruptly. “Thank you. That would have made me angry, and you wouldn’t like me –” A murmur of discontent runs through the audience, and Bruce sighs. “That was a joke. I’m bad at jokes. Maybe I should –”

A voice comes from the audience. “Hey, big guy! You done good.”

A smile lights up Bruce’s face. “Thanks, Tony! I’m just. . .I’m gonna get off stage now. Please don’t play that music? Thanks. But I’m serious. Don’t play that music.”

The orchestra obligingly goes for the theme from Avengers instead as Bruce goes back to join Tony in the audience.

Alfred returns to center stage muttering “…something about the name.” He stops at the microphone stage right. “I’m told our second presenter swept his category last year. Ladies and gentlemen, the enigmatic Shatter Star.”

Best Character in a Supporting Role, Female

After his name is called, Shatterstar comes out onto the stage. He walks briskly to the podium, then nods to the crowd before tugging at the waist of his white tuxedo jacket to straighten it, even though it looked fine. “Yes, hello and it’s an honor to be here to present this year’s award for best female in a supporting role.” He’s clearly reading off the teleprompter, but he’s not nervous about it, more matter-of-fact.

“This year, there is a tie.” He pauses as the audience murmurs. “These two women are not as different as you may think upon first glance. Each plays an important part in the lives of those around her, even from outside of the spotlight. I am… happy to present this award to Helena Wayne, and Leah Helmaid.”

Shatterstar starts to clap and backs away from the microphone as Helena Wayne takes to the stage. She’s wearing a sleeveless, deep purple gown, with a high collar. There are a few whistles from the audience, and she rolls her eyes.

The award handler approaches her and gives her two statuettes. He hefts one as she steps up to the mic. “They told me Leah couldn’t be here tonight – something about a journey and mystery – so I’m going to take both of these and give one to her at the after party.” She grins. “Probably.”

There’s some chuckling from the audience. “I’ll keep this short, I promise. I’d like to thank my dad and mom, who taught me everything I know and died saving my planet.” The camera cuts to Bruce Wayne, who mouths different Earth, as Damian Wayne sits next to him, scowling. “And I’d like to thank my partner in crime fighting, my best friend, the other half of my story, Kara – uh, Karen Starr.” Now a reaction shot of Power Girl, wearing a low cut, elegant white gown and a large red ruby necklace set in the center of her plunging neckline. She blows a kiss towards the stage.

Helena shakes her head, but she’s smiling. “Thanks again, everyone. It’s been a hard few years, stuck on a planet that’s not quite home. But knowing you’re pulling for me – for us – makes it a little easier to face the day. Have a great night!” She turns and walks off the stage.

Alfred tries to suppress it but his pride in the Wayne family, in any universe, is evident across his beaming face. “Well done. Now,” he turned to the audience, “We move on to the leads. Our next presenter is, pardon me for saying, unsinkable –” The assembled Batfamily groan but Alfred looks quite pleased with his cleverness. “Miss Stephanie Brown.”

Best Character in a Leading Role, Male

Stephanie gets to the microphone and pauses. She gasps, “Oh wow. You guys. It’s just– it’s really, really great to see everyone. I miss you all so much.” She takes a deep breath. “I should probably stick to the teleprompter, huh?” Steph smiles, “Okie dokie.”

“A leading man is often thought of as suave, debonair, and charming. This year’s winner isn’t really any of those things. He is clumsy, impulsive, and snarky. But he is also honest, courageous, and despite his best efforts, a true hero. The award for best male in a leading role goes to Clint Barton. Yay Hawkguy!!”

Clint slowly gets up from his seat. He looks mildly uncomfortable, but after Kate Bishop shoves him into the aisle he makes for the stage. He’s wearing a crumpled suit and his now-signature purple Converse All Stars. He takes the steps two at a time and gives Steph a big hug before he takes the award. No less than three women in the audience facepalm.

“She’s got great fashion sense. Can’t go wrong with purple.”
Steph pushes in and towards the mic. “Eggplant.” No less than three Robins facepalm. The award handler pulls gently on her elbow as the audience laughs.

Clint grins. “If you’re looking for a new place to hang out, I can always use another sidekick.” An arrow whizzes past his head. “What? I said sidekick, Kate. Geez.”

“Uh, anyway.” He rubs the back of his neck and leans into the mic. “Honestly, I didn’t expect to win any awards for what I do. I get into more trouble than I can fix. My superpowers are being in the wrong place at the right time, and having good backup. So I’d like to thank that back up. I wouldn’t be where I am without the Avengers, after -” Another arrow whizzes by his head, but he ignores it. “All. My creative team, led by Fraction. And, of course, the best Hawkeye I know, Kate Bishop. Luckily she’s too drunk to shoot straight tonight.”

Clint waves to the crowd, then back to the balcony section. “Nah, I’m kidding. Kate’s a good shot even drunk. Thanks again, everyone.”

Alfred’s expression is disapproving but he claps politely as Clint exits. “And now another youngster, please welcome Master Miles Morales.”

Best Character in a Leading Role, Female

Miles comes out onto the stage, looking very sharp, but mildly uncomfortable, in his well-cut tuxedo. He looks out at the crowd, stands up straight, then leans into the mic. “Tonight’s winner would probably tell you that there should be just one category for best lead, because there’s no real reason to separate the men and the women.” Miles’ eyes go a little wide. “Really?”

The audience titters as he goes off script, but he recovers quickly. He’s suddenly worried about meeting the award winner, though. “Uh, maybe I should just skip right to the end?”

Clint sticks his head in from offstage. “Good call, kid.”

“This is going well.” The audience claps supportively. “Before I get hooked off of stage, tonight’s winner for best lead, female, is the one and only Ms. Carol Danvers.”

Carol is forced on stage by a Jessica on either side. She is wearing Prada, because obviously, and her hair is twisted on top of her head. She accepts the award from Miles with what she thinks is a comforting smile, he musters a grin and takes two steps back.

“So that’s something.” Carol fidgets with her hair absently. “Well, okay, first of all Spider-kid is wrong.” Miles pulls at his collar. “I mean, yeah, everything being equal, leads are leads and that’s what we, all, over at Captain Marvel HQ are out here proving — so thanks for noticing Spider-kid and all the readers of Fan Fan Girl.” She grins and waggles her award. “But, look, let’s celebrate women!”

Carol raises her award over her head. “Tracy, Helen, Jess, Monica, Chewie, Kelly Sue, Emma, Wendy, Kit… Mom, other Jess, Pepper who made me do my hair like this, Natasha, you know we all envy your movie career, Anya, I miss you girl… and my boys, okay, you too. Steve and Peter and Dexter and Stephen and Filipe and Frank and Jamie and yeah you all know who you are.”

The orchestra starts playing Black Sabbath. Carol rolls her eyes. “Oh, God, how much did that cost?” She winks at Miles. “I take it back, kid, I absolutely want to compete with the guys. So I can beat Tony Stark.”

A voice is heard from off stage. “He wasn’t even–”

“And Clint Barton.” She waves to the audience. “Thanks everybody.”

The audience applaud as Alfred returns to center stage.

“Well, now, this is going swimmingly. Before I announce our last award I want to take a moment to congratulate all our nominees, and as there were a significant amount of write-in votes — everyone in this theatre is a winner. And on behalf of the Fantastic Fangirls, I would also like to thank the readers for participating.” The applause swells.

“Now, the award for Best Ensemble goes to: the Avengers.”

Best Ensemble

The cast of Avengers Assemble fills the stage. Steve Rogers accepts the award from Alfred while Tony Stark, in a new David August suit, makes signs of Victory with his fingers. Carol reappears and drags a half-hiding half-glaring Jess Drew up on stage with her. Clint waves. Natasha cocks her head in calm acceptance. There is a shuffle around the microphone, but finally Steve takes the lead.

“Thank you.” The crowd settles. “If every Avenger joined us on stage it would fall into the basement.” The camera panned to the audience, some laughing quietly, others looking at their watches. Damian Wayne caught the camera’s gaze and mouthed ‘Sounds good’ with a mischievous sneer. “There are, of course, a cast of thousands behind us–”

Tony put his hand over the mic. “And Steve here would name them all given the chance.” His voice was projected across the room with the aid of Stark Tech. “Suffice it to say, we are grateful.”

“Tony, I think we should at least acknowledge–”

“Sure.” Tony salutes to the crowd. “He’s acknowledged.”

Steve purses his lips. “Well, how about–”

“Yes.”

“Absolutely.”

“And–”

“Him, too.”

“No–”

“Oh, right.” He blows kisses. “Her.”

Clint cuts in. “Maybe someone else should give the speech.” Steve nods and attempts to step in front of Tony, but Tony side steps and is now hovering slightly above the stage.

“Well, we know what you would say.” Tony points to Carol who rolls her eyes again. “And this one.” His eyes linger over Jessica Drew but she ducks behind Clint. Tony takes a second to mentally dismiss everyone else on the stage. “Maybe Cap’s best after a– Wait, where’s Bruce? He should get a chance to finish and everyone likes a–” Natasha whispers into Tony’s shoulder. “Oh, well, that’s no reason to hide. Come on, big guy, the stage is yours.”

The audience’s eyes follow Tony’s up to the scaffolding and the Hulk who sits watching the stage. Everything is quiet a split second before the assembled Avengers scatter as Hulk jumps down onto the stage.

“Hulk thank—” His next words are drowned out by the cracking of the stage as it falls into the basement of the theatre.

“Yes!” cries Damian.

“Well… my.” Alfred shakes his head and gathers as much dignity as he can being cradled in Captain Marvel’s arms. “Thank you, Miss. And thank you, all, for watching. Good evening.”


This post is a collaboration between four Fantastic Fangirls — and everyone who participated in the Fantastic Comic Book Awards. Thank you all!

Q&A #191: What comic do you, personally, want to be a character in?

In Q & A, a weekly feature of Fantastic Fangirls, we ask our staff to tackle a simple question — then open the floor to comments.

What comic do you, personally, want to be a character in?


ALI

Phonogram. If only for the selfish reason that I will never be as cool as everyone in the Phonoverse. Actually, I kind of take that back. Most of the characters in Phonogram are flawed and emotionally dented and bruised. But they look so freaking cool. I mean, how could you NOT want your life to be like this?

AND there’s the whole music is magic thing, which I really dig. What I dig even more is that you can kind of lean how to be a Phonomancer. You wouldn’t be as powerful as those born into it, but you can learn a bit to have fun.

But who am I kidding. If I were ever going to be in a comic book I’d want to be a superhero. Not anything huge, a third or fourth string Avenger or X-Men. Just this girl who lives in Brooklyn and uses her telekinesis to help people. So… basically I want to be in Hawkeye.

I’d look really damn cool in that comic too.


GABBY

Since Marie swiped my default answer (it’s a pretty great answer, Marie), I’m forced to really think about it. And something just keeps coming back: I’d like to be working in the library of Dream’s castle, “The Dreaming”.

What a wonderfully clever idea; a library made of books we’ve never written. I’d be Lucien’s assistant, working in the ever-changing stacks of books, reading excerpts of people’s dream-novels.

I think I’d be willing to weather Dream’s mood swings and tantrums for that job.


MARIE

I’d most likely would want to be a character in Joss Whedon’s Buffyverse comics. Buffy the Vampire Slayer was an extremely influential series for me, so to have a chance to play around in that sandbox as a new Slayer would be pretty rad.

Radness.


SARA

I’ve spent most of my comic-fandom life in the Batman universe, so Batfamily here I come! But, seriously, I live my life with a lot of fictional characters leading the way, forging my path, but I believe the top two influences have to be Hermione Granger and Barbara Gordon.

And what do these lovely, other-worldly ladies have in common? Um, they are smart, kick-ass, brazen, in your face, brave, compassionate, and live in a perpetual boy’s club without self-combusting.

I want to BE them.

SO, if I were to be in any comic, I would love to be in Batman Beyond and play Batgirl of the future to Terry McGinnis’ Batman. Max and I would spend hours making fun of him and Bruce would have to take up meditation again to prevent himself from killing me.

It would be AWESOME.


So what about you? What comic do you, personally, want to be a character in?

Q&A #187: What is a comic you are currently enjoying?

In Q & A, a weekly feature of Fantastic Fangirls, we ask our staff to tackle a simple question — then open the floor to comments.

What is a comic you are currently enjoying?


ALI

I know he’s my boyfriend, but seriously Thor: God of Thunder by Jason Aaron and Esad Ribic is just insanely good. I think it’s probably my favorite book out of Marvel NOW! so far. It’s just so freaking epic. I mean, it’s like Simonson good. And Old King Thor is just the greatest thing to happen to comics in a long time. Ancient and grizzled, the Odinson sits on the throne of a fallen Asgard with a missing eye, using the Destroyer’s arm as a prostethic for his own lost limb. And still the old battle axe fights to defend his lost kingdom. Aaron is brilliant about using him in small doses so you always want more of him.

Also there are Icelandic vikings.


MARIE

Over the holidays, I pretty much overdosed on episodes of Young Justice and X-Men Evolution. Both series primarily featured angsting superpowered teenagers, so to ride off that high I started getting into Brian K. Vaughan and Adrian Alphona’s Runaways.

an image of The Runaways cover

I currently own Volume 1: Pride and Joy and so far, I find the writing extremely clever and the characters really fun to follow. With a teaser like, “All young people believe their parents are evil…but what if they really are?” I can already tell that this will be a wild ride.

an image of The Runaways cover


SIGRID

Hawkeye.

The thing is, that when you start out in life — when you take your first stab at adulthood, when you leave college or enter the workforce or get married for the first time or join the Peace Corps or the Air Force or you buy your first house or get your first dog — you don’t know what you’re doing. So you look around you and you try to convince everyone that you have got this. That you’ve earned the right to be an adult. That you can handle life like a goddam grown-up. Someone wants an answer? You’ve got it. Someone wants a solution? Problem solved. You are so there.

And then your life happens.

By the time you’re starting a second time around — by the time you’ve gotten married and divorced and remarried, by the time you’ve made it to management, by the time you’ve gone back to graduate school, by the time you’ve acquired kids, by the time your parents are getting older and sicker, you’ve flirted with bankruptcy, you’ve quit partying, you’ve crashed a car, you’ve fucked everything all to hell six ways from Sunday, you’ve gotten a new job — you are done having answers. You’ve figured out the secret, that everyone is faking it the same amount. By the time you’re taking a second or third stab at this whole being a grown-up thing, you know that easy answers are cheap and flawed. You know that idealism will falter. You know that you can try your best and fail utterly. You understand, down to your bones, that you are not really a very nice person.

But you know that you have friends, that you are trusted and loved. You know that you are going to be stupid-stubborn idealistic all the way down. Because if it hasn’t been kicked out of you yet, it never will be.

Hawkeye.


So what about you? What is a comic you are currently enjoying?