Q&A #149: Who is on your superteam?

In Q & A, a weekly feature of Fantastic Fangirls, we ask our staff to tackle a simple question — then open the floor to comments.

Who is on your superteam?


Anika

My superteam would be made up of ballet dancers and gymnasts. Because they are the strongest and bravest people I know.


Caroline

The E Street Band:

(It’s new album day, all right?)


Jennifer

The Fantastic Fangirls are my superteam.


Sigrid

In the year 2022, when my kids become superheroes, my team will consist of Artisan and Volteadora. Artisan will build most of the gadgets and secure the super-base, defending it with robots and traps. Volteadora will be the field agent, using a combination of acrobatic skills and gadgets to overpower criminals. They will clean up the Twin Cities, fighting crime and doing good.


So what about you? Who is on your superteam?

3rd Annual Fantastic Comic Book Awards

In Q & A, a weekly feature of Fantastic Fangirls, we ask our staff to tackle a simple question — then open the floor to comments. But this week we bring you: the winners of the Third Annual Fantastic Comic Book Awards!


“Hey ho, Kermit the Frog here, we’d like to give you a warm Muppet welcome to the –”

Kermit is interrupted by Miss Piggy flinging her arms around his torso. “Kermy, I am so proud of you.”

“Erm, thanks Piggy, but I have to host–”

“I know! I am so excited! My own froggy sweetie is hosting the Academy Awards!”

Kermit frowns. “The Fangirl Awards.” But his objection is ignored and overrun by his cooing partner.

“The Oscars! I always knew we were going to be stars! I cannot wait to meet all the little people on the red carpet and make them swoon with my fabulousness.”

“Erm. Piggy?”

“Yes, my love?”

Kermit points to the cameras directed at the stage. “I’m trying to start the show–”

“Oh! OH!” Piggy squeals and turns to preen. “Hello! I am ready for my close-up at the Oscars.”

“Fangirls.”

“Fangirls? For moi? Where?” Kermit doesn’t answer. “I am coming, little people!” She sashays stage right; Kermit swallows and turns back to the camera.

“Erm. Anyway, Miss Piggy, folks!” The audience applauds politely. “And now a warm Muppet welcome to the third annual Fantastic Fangirl Comic Book Awards! Yayayayayayayayayaa!” Kermit flaps his hands and he is suddenly surrounded by his peers singing and dancing.

After the song, the Muppets exit the stage, leaving Fozzie Bear

“Hey! You know where all these superheroes are spending Spring Break?” The audience shuffles, perplexed. “Cape Cod! Get it? CAPE Cod! Wokka wokka!” Half the audience attempts to laugh, politely; the other half rolls their eyes, groans, or simply stares. “Ladies and germs, last year’s Best Supporting Character, Barbara Gordorn!”

Best Character in Supporting Role, Male

From stage right Barbara Gordon walks out towards the microphone. The wave of applause that greets her almost masks the chanting protest from a small group of audience members who are quickly ushered out by security. Barbara leans towards the microphone, shading her eyes with one hand as she tries to see the source of the outcry.

“I was going to begin my introduction of the Best Male in a Supporting Role by talking about changes in the industry in the last year. This category, traditionally a hotly contested race, managed to garner only one nominee.” Barbara puts her hand down and looks at the camera. “The single nominee was not named for lack of interest in the category, but because times change. Some of the changes are not welcome, or are a mix of progress and reactionary thinking. I am very aware of this fact.”

There’s an uncomfortable pause. Looking directly at the camera, Barbara raises one eyebrow. Whatever she’s waiting for, the moment passes.

“Some changes, though, are long overdue. It is therefore my great, great pleasure to welcome Gaveedra Seven, a.k.a. Shatterstar, to the stage, taking his deserved award for Best Character in a Supporting Role!”

Shatterstar does not just walk up to the stage. He does, instead, bound down the aisle with an acrobatic routine worthy of the Cirque du Soleil performers at the actual Oscars. When he reaches the stage, he does one last leap high into the air before sauntering over to the microphone and accepting the award from Barbara.

“Thank you, kind lady,” he says, and he bows to kiss Barbara’s hand. “Are you available for romantic overtures after these festivities?”

Barbara glares at him and pulls her hand away before stalking off. Shatterstar stares at her, bewildered for a moment, then shrugs and turns back to the microphone.

“I have been a viewer of these awards on your television many times, and I am pleased to receive recognition for my excellence. But I am uncertain about what aspect of my excellence you are honoring.” He pulls out a blade from his sleeve. “My skills as a warrior have earned me many accolades in the past, but the attempts of your doormen to relieve me of my swords lead me to believe this is not that kind of award. Someone else explained that this honor was the property of someone named Peter David, but I’ve never heard of this man and I must wonder if he is some kind of adversary.”

“But my teammate Layla, with whom I share an intimate connection and who claims to ‘know stuff,’ says that this award comes in part because of my relationship with my lifemate, Julio. I am beginning to understand why this is true. In my world, sexual desire of any kind was banned for gladiators in the arena. But in your world, sexual desire seems to be condoned only between certain partners. I do not believe in any kind of restrictions on one’s sexual partners, but I especially do not believe in a restriction based on one’s biological sex. I find my life with Julio to be very fulfilling, and if Layla is correct that our relationship is a sign of political progress in this world, I will accept the award for that gratefully.”

Shatterstar flashes a big grin.

“If anyone wishes to discuss matters of sexuality further, you can find me after the show in my dressing room. I will be doing 1,000 pushups, without any clothing.” And with a wink to the audience and a camera cut to his poor, put-upon boyfriend in the fourth row, Shatterstar leaves the stage.

Best Character in a Supporting Role, Female

There is a scuffle offstage followed by a long pause. The audience squirms in their seats — is this an attack? But the music picks up finally and Sam the Eagle takes center stage.

“Apologies, all. This illustrious ceremony is no place for the likes of an ignoble ruffian such as Damian Wayne and he has therefore been removed from the building. I will present the award of Best Supporting Character, Femalein his place. The winner is a young woman who does her country,” He stands tall. “America!, proud. Ladies and gentleman, the winner is Miss Jubilee.”

Jubilee is wearing a dress that leaves very little to the imagination, and for good reason — she convinced Wolverine to give her a good long gulp of his healing factored blood before coming to the ceremony, and she was able to enjoy a sunlit red carpet for a brief period. She smiles as she takes the award, showing off all of her — pointy — teeth, and a few people in the front row lean back a bit uneasily until Jubilee opens her mouth in name-appropriate jubilation.

“Ohmigosh, this is, like, the best award ever! I mean, ok, like, I never thought I’d get any kind of award again, right? I wasn’t a mutant anymore and I wasn’t an X-Man and even Wolvie wasn’t hanging out with me. And then I get bitten by a vampire and suddenly I’m everywhere! Hanging out with Wolvie’s clone kid and everything! And I won’t lie, I hate how pasty I am now, and I’m a California kid at heart so I miss the sunshine a little. But if being a vampire means that people are finally appreciating my awesomeness again for the first time in years, I’ll take it!

“I guess I should thank Marjorie Liu for hooking me up with X-23 in the first place, and all the artists who have made me look totally hot and grown up without totally changing my look. And thanks to Wolvie and Frosty and everybody else who’s managed to put up with me even when I’ve been a pain in the ass and put cellophane over your toilets and shaving cream in your beds. I’m up all night these days — you can’t expect me to just sit around doing nothing! And finally–” she becomes more somber, and raises her trophy skyward, “thanks to my mom and dad. I hope this makes you proud, even if I am all undead and stuff these days.”

Best Character in a Leading Role, Male

Stephanie Brown walks to the podium, wearing a form-fitting lavender dress that entirely suits her. Gonzo, already at the microphone, gapes. Stephanie smiles at him and turns to face the camera. Gonzo continues to stare at her, open-mouthed. Steph glances at him, then grins. She reaches over and, with two fingers, pushes up on his chin to close his mouth.

“The challenge of the leading man is an ever-changing one,” Stephanie says, clearly reading off the teleprompter. “As stories represent our culture’s changing needs from year to year, so to does the leading man represent changing ideals of masculinity. What does it mean to be a man?”

“I don’t know,” Gonzo breaks in, manifestly off-script, “but I’m so glad you’re not one!” There’s a bit of uncomfortable laughter. But Steph doesn’t appear to be taking her co-host’s admiration too seriously. She rolls her eyes and continues with the introduction.

“In the past the award for best male in a leading role has honored tradition. Tonight we reward daring. The award for best male in a leading role goes to Miles Morales!”

Miles takes the stage and the award from Stephanie as the applause fills the theater. “Wow. This is really something. I mean, I wasn’t even the lead that long. . .” He swallows and takes a breath. “I, uh, well I thank everybody. At Marvel and Ultimate Marvel. And especially the creative team, Bendis and Sara Pichelli. And the fans for reading and caring and voting!” He blushes, but he’s grinning. “I didn’t know if you guys’d accept me.” Stephanie gives his arm a playful punch. “So thanks. And uh, I want to dedicate this to — well, I wanted to dedicate this to Peter Parker cuz I wouldn’t have this gig if it weren’t for him but I also wanted to dedicate it to, you know, anybody who’s ever felt like they wanted to do something not everybody wanted them to do. But then I realized Peter was one of those people. So. This is a win for all of us.” With a little fist pump to the sky Miles walks off stage with Stephanie.

Best Character in a Leading Role, Female

Luke Cage strolls out to the podium, where Scooter is waiting. Luke clears his throat and gives Scooter a meaningful look. Scooter shrugs and jerks a thumb at the teleprompter. Luke raises his eyebrows. Scooter leans into the microphone. “It’s a special honor to present the award for best leading female role,” the Muppet begins earnestly. “The year brought a lot of changes and controversy to the category, but I feel confident that the best candidates were nominated!” Luke bends down to the mic. “Hey, Dani, told you your daddy would say hi. The award for best female lead goes to — Stephanie Brown.”

Stephanie walks back on the stage, looking left and right, smiling as she takes the award.

“Was I just out here? It feels like I was just out here. Wow. Thank you, I just — obviously, this is a bittersweet moment. Bittersweet.” Stephanie wipes her eyes. I wasn’t going to do this. I’ve been so fortunate, you guys. So very fortunate. I’ve had the support of my mom, and Wendy, and — Barbara, I don’t see you, Barbara? — Everybody give a hand to Babs. Thanks. I don’t want there to be any hard feelings, okay? We’re all a family and, oh my God, Cassandra? Cass Cain, can you — right, over there. I’m just so thrilled Cass could make it.

Because Batgirl, you guys? Batgirl is about all of us. I want to thank Bryan Q. Miller and all of the great, great artists who made my time as Batgirl possible. But most of all, this is for all the Batgirls out there. Holds the trophy above her head. I’ve got no regrets. I’m so glad I could be one of you! Thank you so so much.

Best Ensemble

Coming back from commercial break, the camera finds the stage occupied by Dr. Teeth and the Electric Mayhem with their full kit. The lights flash and a spotlight picks out Animal as he begins to drum. The audience breaks out in wild applause as the bass and guitar join in.

“Twenty-twenty-twenty-four hours to go!”

It’s Janice singing, her mellow tone making the classic Ramones tune an in-joke with the audience.

“I want to be sedated!”

“Whoa!” Dr. Teeth breaks in, waving his hands to cut the band off. The music stumbles to a halt. Janice turns and looks at the band leader with a confused expression on her face. “My apologies, my friend, for interruptin’ what was clearly going to be a heart-felt groove for you.”

Floyd snickers.

“However,” Dr. Teeth continues, “we are not here to display the prodigious talents of this ensemble. We are here, instead, to present an award to another group as deservin’ of recognition as ourselves.”

Floyd nods and turns to the microphone. “So with no further ado — ”

“A-DO! A-DO! A-DO!” Animal shouts, getting a big laugh from the audience.

” — we are pleased to announce the winner of Best Ensemble, the Avengers Academy!”

A long silence falls.

“Avengers — Academy!”

Looks down. “Oh, hey there Doctor Pym! I didn’t realize you still –”

Hank Pym grows, before the audience’s eyes, from tiny ant size to full-grown. He accepts the trophy and clears his throat.

“Thank you all, thank you. This is quite a difference from last year when we were all — covers his eyes Give me a moment. I’m sorry.” Looks up. “The Avengers Academy has been, as I hope you all know, a project near and dear to my heart. In a way, I’m sorry that I’m the one here to accept the award because, to me, the story of the Academy is the story of those kids. There’s a place for my story, of course, and for Greer’s, and Pietro’s and — Robbie and Vance? When’s the last time anyone saw Robbie and Vance? Never mind.”

“But ultimately, this book is not about the heroes of my generation. Christos Gage understands that, which is why he’s done such a wonderful job as our writer. Don’t get me wrong, Christos knows his continuity as well as anybody alive. But he also knows all the shoutouts to minor New Warriors plots would be nothing without these kids. This wonderful set of original characters, more recently joined by so many other wonderful young characters who have been created in recent years and — how do I put this? — not always given the chance to shine to their full potential.”

“I’m very happy to accept this award on behalf of Avengers Academy, I’m only sorry that none of our students are currently available, to –”

The crowd begins to murmur, as a figure materializes next to Pym. Her body appears to be wrapped entirely in bandages. She clears her throat and steps forward to the microphone, as Pym sheepishly steps aside.

She speaks in a monotone as though reciting.

“My name is Madeline Berry, also known as Veil. I accept a portion of this award on behalf of myself, Mr. Jeremy Briggs, and such other individuals who may consider themselves to be part of the ensemble, despite no longer being affiliated with the Avengers Academy. While Mr. Briggs and I appreciate the good intentions of Dr. Pym and the faculty and staff of the Avengers Academy, I must take the opportunity to state our belief that the Academy, like all adventures in so-called superheroing, is a destructive institution that perpetuates unproductive values within our culture. Thank you and good night.”

Pym steps toward her, offers a hand. “Maddie –”

“Dr. Pym.” She nods stiffly and once again vaporizes. Hank Pym walks sadly off the stage.

Kermit hurries on stage, a worried expression on his face. “Erm. Well, that’s all folks…thank you for–

“Shouldn’t the pig be sayin’ that?” Floyd asks from the Orchestra Pit. Kermit scrunches his mug in confusion.

“What?”

“It’s a pig who says ‘That’s all folks’.”

“Yes, but…that’s a cartoon pig who is owned by a different company than the Muppets…”

“Why’s it always come down to either-or, man? Look at this place, we got heroes from every corner and we all workin’ together. We don’ look at Piggy an’ think she owned by some Micky Mouse Corporation and we don’ look at Porky an’ think he one a them maniancs in a W to the B watertower. We all gettin’ along, frog. Our Piggy is Porky and she should be sayin–”

Piggy appears on stage, eyes flashing. “Who you calling porky, you hippie beatnik loser?” Floyd blinks in confusion. Piggy launches herself into the orchestra. “HIIII-YAH!!!!” The audience rise in their seats to watch the orchestra try to take on the enraged Piggy.

Distracted by the feud, no one notices Damian Wayne, dressed as Robin, swinging in with a tall cream pie in his hand. He notes his targets, makes a quick adjustment and flings the pie with such force that when it hits Sam the Eagle square in the chest he is thrust backwards into Stephanie Brown. The two fall over, covered in whipped cream. Sam is unamused but Stephanie jumps up with a huge grin on her face. Damian snaps his fingers and an army of waiters descend the aisles with trays and carts of pies. No one knows who, man or Muppet, shouts “PIE FIIIIIIGHT!!” but everyone, man and Muppet, joins in.

All but Kermit who facepalms and addresses the last standing camera. “That’s all–Ahhh!” Kermit ducks as a pie whizzes by him. He turns resigned to the camera. “Oh, you know.”


This post is a collaboration between all four Fantastic Fangirls — and everyone who participated in the Fantastic Comic Book Awards. Thank you all!

Q&A #148: Who is a favorite character created in the 1970s?

In Q & A, a weekly feature of Fantastic Fangirls, we ask our staff to tackle a simple question — then open the floor to comments.

Who is a favorite character created in the 1970s?


Anika

I love Q&As I can answer with a panel:

Talia al Ghul, daughter of Ra’s al Ghul, made her first appearance in 1971. A lot of people don’t like her but she’s a favorite of mine. Look at that image. On the surface Talia is sexy, silly, and suggestive. She makes *Spirit Hands* and pops her ankle up a la The Princess Diaries even when she’s falling down. She’s daughter — or wife, or mother — first and Talia second. Look beyond the surface to the comics and she’s been seductress, enchantress, socialite, witch, queen, sociopath, damsel, demon, mercenary, and maiden. And she’s lived all her years in the shadows between good and evil. Instead of consistency she has crazy.

But if I preferred consistency to crazy I wouldn’t read comics. And when crazy reads like this:

I can’t complain!


Caroline

I don’t really intend to make Scott Summers’ tumultuous and oft-reconned family life a theme in this space. And perhaps, conceptually, Scott’s father Christopher Summers had been invented in the early (1960s) days of the X-Men. But it took the ‘70s and (dare I say) the popularity of Star Wars for Claremont and Cockrum to inform us that Chris was not in fact dead but living a second life as a space pirate. In any case, Christopher Summers did not exist in his identity as “Corsair” until 1977. Which, really, you only have to look at that facial hair to be able to guess.


Jennifer

The 70s are an odd decade for me. Some of the first characters that came to mind in response to this question either debuted the year before the decade started (the Falcon) or the year after (Kitty Pryde, She-Hulk). All of those characters certainly have a 70s flavor to them, but they weren’t, technically, invented in a year that began with 197. So who do I choose? I love the All New, All Different X-Men as a group, but I’m not sure I could single any of them out.

And then I realized the obvious answer. What could be more distinctively 70s than that unlikely pairing of blaxploitation and the Kung Fu craze that was Power Man and Iron Fist? Alone, Luke Cage and Danny Rand are both fantastic characters who have grown far beyond their stereotypical 70s origins in books written by such modern creators as Brian Michael Bendis and Matt Fraction. But I still have a soft spot for their early team up, in all its wonderful insanity. Theirs is a friendship for the record books, and it couldn’t have happened without the trends of that much-maligned decade.


Sigrid

Introduced in 1975, Moira MacTaggert is a character I love more in the idea than the execution. From the pages of various X-Men-related comics, she is a scientist, a geneticist, a love interest, a plot point to be ‘fridged as needed, a villain, a superhero, a liability, and a mother-figure. She is one of the most widely characterized figures in X-Men comics. The only truly consistent feature she has is the overly-broadly-written accent, which I am assured is supposed to be Scottish.

All of which makes it sound like I might dislike her. That’s not the case.

The Moira that exists in my head, the one I glean from the ways she’s been used and abused by her writers, is a ruthlessly tough woman, brilliant, caring, yet hard-headedly realistic. Moira has seen the good and evil in humanity, whether or not a person carries the X-Gene. She is prepared, as a consequence, to judge people by their actions. And judge you she will.

She’s a tough dame, and I love the idea of her.


So what about you? Who is a favorite character created in the 1970s?

Q&A #147: Dear Valentine …

In Q & A, a weekly feature of Fantastic Fangirls, we ask our staff to tackle a simple question — then open the floor to comments. In recognition of Valentine’s Day we present:

Dear Valentine …


Anika

To: Becky Ryan
From: Franklin Richards

Dear Becky,

You’re hot. Uncle Johnny said to begin with that because it’s what most people who write to you are thinking no matter what they are writing. So by saying it first I come off honest. Also Uncle Johnny says you are hot.

You are pretty, Becky, and you sing really well and you are brave. If you would be my Valentine I would take you to Disneyland. I know I just turned seven again but I am a really old soul and also I can sometimes manipulate time. Remember I was honest about how hot you are when you respond!

Please me my Valentine.

Franklin

Dear Franklin,

Thank you for the wonderful note and the picture of you and your family. When y’all come out to L.A. I’d love to bring you — and your sister — to Disney, sure thing. I’m including two pictures for you and your uncle. Make sure to keep the one I signed to my best Valentine for yourself. Have a very happy holiday, kid.

Your friend,
Becky

P.S. Tell Uncle Johnny he’s hot.

Becky:

Why is TMZ reporting you’re “hot and heavy” with Johnny Storm?

-KK.


Caroline

TOP SECRET S*W*O*R*D* COMMUNIQUE: FROM THE DESK OF THE DIRECTOR: BURN AFTER READING

McCoy –

All right, you win.

I swore you would never get any kind of acknowledgement from me about this sappy, stupid fake holiday. To tell the truth, I never thought we’d make it past one Valentine’s Day, much less. . .however long it’s been since we cuddled up in that cave on the ice planet.

Yet here we are. And by “here,” I mean “I’m on the orbiting headquarters of the Sentient Worlds Observation and Reporting Division, waiting for you to shuttle in for a dirty weekend from the reform school/amusement park where you’re currently mentoring the newest generation of mutant rugrats.” As long distance relationships go, that makes Hades and Persephone look sane and workable.

Weird thing, though: it really is working. I spent most of my life expecting that I’d never even have a friend. Now I have a friend who is also a partner who is also the smartest and bravest and best man that I know. I don’t require that in a relationship, for the record. Not by a longshot. Somehow I was lucky enough to get you anyway.

In a few minutes, you’ll bound off that shuttle carrying New York City bagels and coffee that’s magically still hot and an art project one of your students wove out of their own tailfeathers or something equally off the wall. And I’ll make a face and (though you won’t see me behind the glasses), I’ll roll my eyes and (after I chug the coffee) we’ll make out like crazy and get through the whole weekend without talking about feelings even once. Then on your way out I’ll stuff this note between your uniform vest and your fur and with any luck you won’t find in until you’re back in Westchester.

I love you, furball. I’m glad you’re my valentine.

-Brand

PS. SHOW THIS TO ANYONE AND I DESTROY YOU.


Jennifer

Rictor,

I have been enjoying many programs on your television, and they have been very informative. One of the things they have informed me about is a feast day called St. Valentine’s Day. I have used your internet to research this celebration, and I do not understand why anyone would want to commemorate the ignoble death of such an insignificant figure. However, I am very much in favor of a holiday which incites men and women to engage in various forms of sexual congress.

I have come to understand that this is not an appropriate day to express one’s desire to copulate with multiple partners, however, so I will refrain from doing so. Instead, I wish to express my dedication to you in particular, as the primary target of my most deeply-felt affections. The advertisements advise that I should buy you some kind of gift, but I know that your immune system reacts negatively to flowers, and candy will not help you to remain in the shape of a warrior. The advertisements also indicate that jewelry and other adornments represent a proper gift, but the recipients of these offerings always seem to be women, and you have reacted poorly in the past to gifts you considered to be feminine. Besides, these advertisements claim that “every kiss begins with k,” and this is patently untrue in most languages, including the one of your birth. I do not trust their guidance.

Therefore I will simply give you gifts that I know you will enjoy: this very attractive photograph of myself, a meal that is both nutritious and gastronomically pleasing (which I was taught to prepare by a delightful woman appearing on your Food Network), and some other things that Guido tells me I cannot talk about when he is within audible range.

Te amo, Julio.

~*Shatterstar*~


Sigrid

Dinah, Helena –

I’ve had plenty of opportunities to think, “I really should have told X this important thing, and now I won’t get the chance to do so.” It’s a reality of the life we lead. Because of this I’ve planned ahead. If you’re getting this note I am dead and you are alive, and there’s not much to be done about that.

I hope you are well. I always hope you are well.

This is, in point of fact, a Valentine’s Day note. To my two closest friends. Which may be odd in a broader cultural context, but I think you two will understand. There’s love, the kind that Dick and I used to share, and then there’s the bone-deep certainty that another person will be there until death. And sometimes after, Lazarus Pits being what they are.

But if you are getting this note, the Lazarus Pit or the nano-restorers or the trip to Paradise Island, none of those things worked. And I know you tried them. I know you tried them all. Because that’s what I mean about love.

Love doesn’t preclude mistakes, though. And I made mistakes in my relationships with each of you. I don’t have an excuse, just an explanation — I loved you each enough to want to help you, to help you be more and better and happy. But I didn’t ask you, first, what you wanted. And I am sorry for that. Love lets me say how sorry I am, but it doesn’t let me say it to you in person.

I hope that you have love in your lives this Valentine’s Day.

Well, what I actually hope is that you never get this note. That I am alive, and we are having take-out Thai and watching whatever atrocious movie is passing for romantic comedy in the years to come. But in the event that this is not the case, I wish you all the best. I wish you happiness, and fulfillment, and love.

Barbara


So what about you? Do you have a comic book character valentine?

Book Club #10: The Wonderful Wizard of Oz

For the tenth installment of the Fantastic Fangirls (Comic) Book Club, the four of us read the graphic novel adaptation of L. Frank Baum’s The Wonderful Wizard of Oz, written by Eric Shanower and drawn by Skottie Young. We’re going to start our discussion by sharing an e-mail exchange that took place among the Fantastic Fangirls staff. This is a starting point for whatever our readers would like to say about the book. In the comments, feel free to address any of the points that came up in our discussion, or raise a topic/question of your own. Enjoy!

Continue reading

Q&A #146: What is a historical event that you’d like to see incorporated into a comic?

In Q & A, a weekly feature of Fantastic Fangirls, we ask our staff to tackle a simple question — then open the floor to comments.

What is a historical event that you’d like to see incorporated into a comic?


Anika

Last Friday I went to a performance/workshop about Toy Theater put out by Great Small Works and it reminded me of two things: 1. before Anton Chekhov mainstream theater followed a set of rules best illustrated by the sentence “the train blows up in the third act”; and 2. the further we get from an event the more muddled its history. For the past twenty years Great Small Works has taken headline news and turned it into puppet theater and part of why it is successful is that it is visual. They use copies of the New York Times to make their puppets so people recognize the images. I don’t particularly want to read about Superman’s thoughts on Occupy Metropolis but a comic about a group of fictional young people out to change the world that uses real world current events explicitly “ripped from the headlines” intrigues me.

Or, Anton Chekhov graphic novels. Because my favorite New Avengers stories are the Chekhovian ones.


Caroline

I’ve always been a sucker for stories of exploration and discovery. In recognition of the Russian scientists currently exploring the Savage Land — I mean, Lake Vostok — under Anarctica, I’d propose a comic about the historic expedition of the Endurance. The journey, which lasted between 1914 and 1917, has been described as a very successful failure the crew of the Endurance, led by the British explorer Ernest Shackleton, didn’t reach its goal of crossing the Antarctic continent. In fact, they technically never made it to Antarctica at all. However, the crew’s remarkable survival of a series of disasters makes for the kind of story that you never get when things go as planned. Much like my favorite space exploration movie, Apollo 13, the tale of the Endurance is a tribute to ingenuity and improvisation.

Plus, if you’ve seen Steve Lieber’s work in Whiteout, you know that Antarctica can make for great comic book visuals.


Jennifer

When I was growing up, I devoured any and all historical fiction in the middle grades and YA ranges. Though I read widely, my favorite stories were those about young American girls (somewhere between 9 and 15) living their lives in different historical periods in the nation’s history. Luckily, the publishing industry was there to provide such books in droves: with the Dear America diary-style books, and, of course, with the American Girl characters.

These books were easy to read and, in the case of the American Girl books, well-illustrated, allowing me to visualize the daily lives of these distinctive young women. But I can’t help but wonder how much clearer my mental pictures would have been if the books had come in comic form. American Girl is a merchandising juggernaut, from its books to its dolls to its magazines. Wouldn’t it be amazing if they could produce comics as well, helping young girls to get acclimated to the medium through characters they already love? And if American Girl itself won’t do it, why doesn’t a comic book company pick up the slack, with stories told about original historical characters in that same vein? If comic book companies want to tap into a lucrative market, little girls who regularly convince their parents to buy them $100 dolls are right there, ready and waiting to combine historical literacy with the literacy of sequential art.


Sigrid

Oh, how can I choose?

I love history so much! And comics, as a medium of narrative, is an incredibly versatile tool. You can tell almost any kind of story with comics.

That said, I think I would love to see a story about the ancient Persian equivalent of the pony express. During the Bronze Age the ancient Persian empire had a postal relay system spanning 1500 miles of Central Asia. I want a comic about the people who were a part of that.


So what about you? What is a historical event that you’d like to see incorporated into a comic?

Q&A #145: What orphan in comics pulls at your heart-strings the most?

In Q & A, a weekly feature of Fantastic Fangirls, we ask our staff to tackle a simple question — then open the floor to comments.

What orphan in comics pulls at your heart-strings the most?


Anika

Apparently losing one’s parents is vital to superherodom. I made a list of the top ten orphans who pull on my heartstrings. And yes, I actually narrowed it down.

10. Hope Summers: lost sets of parents, grew up in an apocalyptic future, and can’t trust anyone except Cable. CABLE.

9. Bucky Barnes: a plucky WWII orphan who fights Nazis at age 15 and dies a hero’s death. Sort of. But post-plucky-Bucky pulls on my heartstrings even more.

8. Magneto: speaking of WWII orphans. He’s a Holocaust survivor. His parents are not.

7. Natasha Romanova: and then there’s the girl raised by a tripped out Soviet spy operation. And by raised I mean programmed to kill.

6. Gwen Stacey: meanwhile in NYC, Gwen is a motherless girl who loses her hero cop dad to supervillains and then becomes the poster child for Superhero Failure by ending up dead herself.

5. Peter Parker: orphaned as a baby, Peter lost his surrogate father due to his own mistake and he’s still trying to make up for it. Also the superhero in the above mentioned Superhero Failure. Still trying to make up for that, too.

4. Bruce Wayne: Bruce saw his parents gunned down and grew up to be a crime fighter. Dressed as a bat with super awesome technology. Which is totally logical. Batman is made of tragedy.

3. Tim Drake: the only thing more tragic than Batman is Robin and the one that tugs my heartstrings most is my baby Tim. I want to give him a hug just thinking about it.

2. Mindy McCready: all questionable moralities and relations aside, Mindy loved Big Daddy. I have a playlist made up of the music that plays in the movie scenes from Hit-Girl’s appearance to save Big Daddy and Kick Ass through “Bad Reputation” and it makes me tear up every time I play it. Every time.

1. Little Orphan Annie: is Little Orphan Annie.


Caroline

My instinct on this one was to name Scott Summers, aka Cyclops of the X-Men. Remember when he used to spend his breaks from school riding around in a cab so that he didn’t have to tell the other X-Men he didn’t have a home to go to?? After the character was introduced, his backstory got more and more Dickensian with every retcon. He after all spent a portion of his childhood in an orphanage run by Mr. Sinister. Then he escaped to be taken in by Jack Winters, an abusive thief who wanted to use him for his powers, before being kidnapped by a creepy psychic bald guy who wanted to recruit him into a superhuman militia. . .oh, wait, that was Professor Xavier. So that’s probably a good thing, mostly, or at least if it hadn’t happened he wouldn’t be in any X-Men comics.

But then I remembered that Cyclops probably doesn’t really count as an orphan, because it was eventually revealed that his father had not died in an airplane accident. No, he was abducted by aliens, and eventually became — like you do — a space pirate. So, not really an orphan, despite the stereotypically orphan-like childhood.

However. . .Corsair was killed in the Rise and Fall of the Shi’ar Empire storyline a few years back. This is one of the few comic book deaths I am actually bitter about. Still, I think this sneaks Scott in under the technicality of being ‘an orphan.’


Jennifer

The death of Anya Corazon’s father in Spider-Girl #2, and the fallout in the subsequent issues, was one of the most realistic, heart-wrenching depictions of loss and grief that I’ve ever seen in a superhero comic. Anya had already lost her mother years earlier, but unlike most heroes, she had an exceptionally good relationship with her father, who had raised her ever since and supported her in every endeavor. He even knew about, and mostly condoned, her superhero activities. Luckily, Anya has a support network around her, including her friend Rocky and a surrogate family in the form of the Fantastic Four. But her father’s death is something that will probably always haunt her, and makes me whimper just to think about. Kudos to Paul Tobin for writing such an effective story.


Sigrid

… I have a lot of trouble remembering who is an orphan in current canon and who is not. Um.

Does Laura Kinney (X-23) count as an orphan? If so, she’s my favorite these days, and all credit to Marjorie Liu for taking an insane back-canon and making a real character out of it. Nice work, Ms. Liu.


So what about you? What orphan in comics pulls at your heart-strings the most?

3nd Annual Fantastic Comic Book Award Nomineess

It’s time again for our very own Fantastic Comic Book Awards! To announce this year’s nominations please join me in welcoming the youngest member of the First Family of Marvel, Miss Valeria Richards!

Hello. I want to thank SHIELD for this honor — hm? Oh. — I want to thank the Fantastic Fangirls … is that really their name? Do we get a cut? Oh. Well, imitation, sincerity, and all that. What do you mean I sound like Tony Stark? Shut up, Franklin, I gotta do this thing.

Excuse me. We have five awards for four individuals and a team. Winners will be announced at the Got Milk Theatre on Tuesday February 28. You have a month to vote, rules follow the program.

In the category Best Character in a Supporting Role, Male the nominees are:

Benjamin Russell in X-Factor
Benjamin Russell in X-Factor
Ben —

Wait, something’s wrong with the teleprompter. Well it only has one name. But that doesn’t — you are making me look BAD on national internet!! Fine.

Excuse me.

Benjamin Russell aka ‘Shatterstar’ of X-Factor is the only supporting male to reach the threshold of votes during the nominating process*. Therefore he is the only official nominee. However you may submit an alternative in lieu of your vote for Supporting Male.

Okaaaaaay, that’s weird but whatever.

In the category Best Character in a Supporting Role, Female the nominees are:

In the category Best Character in a Supporting Role, Female the nominees are:

Doreen Green in New Avengers
Jubilee in X-23
Pepper Potts in Invincible Iron Man
Natalia Romanova in Marvel Titles
Maggie Sawyer in Batwoman

O-M-G Squirrel Girl, that has to be a surprise. Secretly awesome. But probably you should vote for Natasha or she will cut you. A lot. … What? Oh. Neither I nor the Fantastic Fourgirls — Fangirls — endorse any of these women, they are all super worthy. … And also Natasha doesn’t cut people. Unless they are bad guys. Or ask nicely. … FRANKLIN STOP HIJACKING THE TELEPROMPTER.

Excuse me.

In the category Best Character in a Leading Role, Male the nominees are:

Dick Grayson in Detective Comics
Jamie Madrox in X-Factor
Miles Morales in Ultimate Comics Spider-Man
Matt Murdock in Daredevil
Tony Stark in Invincible Iron Man

Apparently I am contractually obligated not to say that a vote for Uncle Tony is a vote for robots and robots are AWESOME. Not that I signed a contract so blame Franklin. I always do.

In the category Best Character in a Leading Role, Female the nominees are:

Stephanie Brown in Batgirl
Barbara Gordon in Batgirl
Kate Kane in Batwoman
Dinah Lance in Birds of Prey
Rogue in X-Men: Legacy

Ooooh three Bats, a Bird and Miss Mississippi. That’s sorta nifty…I wanna be Batgirl.

In the category Best Ensemble the nominees are:

Avengers Academy
Fantastic Four
Thunderbolts
Tiny Titans
X-Factor

Aws, yay us! Wicked. Okay, Fantastic Fourgirls… Sorry! Fangirls — over to you.


For this entirely made up Award, over one hundred individuals and teams were nominated by a committee consisting of the four Fantastic Fangirls and guests. Everyone is invited to vote for the final winners. To vote send an email to anika@fantasticfangirls.org with the Subject Line Comic Book Award Ballot. Vote for ONE individual character or team in each category. You may vote in any combination of categories but only one ballot per person will be counted so please do not email until you are ready and please send only one email. You will receive a confirmation email when your vote is counted. Please be patient and give me 2 days before emailing that you have not received the confirmation. Votes will be accepted through Sunday February 26. We will tweet reminders!

Anyone and everyone is encouraged to vote; invite your friends and readers and feel free to campaign on your own blog (remember to link back) and Twitter. Do not feel you have to have read all these comics in order to participate, though we encourage everyone to pick up the books. This is a popularity contest, a fun way to honor some of our favorite characters. Please remember it is all for fun and save the drama for the movies! Comment or email with any questions. Thank you!

*Shatterstar is the only supporting male nominee (of 23) to receive more than one mention. He received five.

Q&A #144: If you could give one character a comic book series with the longevity of Superman or Batman, who would you choose?

In Q & A, a weekly feature of Fantastic Fangirls, we ask our staff to tackle a simple question — then open the floor to comments.

If you could give one character a comic book series with the longevity of Superman or Batman, who would you choose?


Anika

I would choose not to.

I prefer a rotating spotlight. Everybody gets a moment and then they move to supporting status as someone else steps up. It's probably why I like team books best. So I choose more limited series, that are designed and announced as limited not turned into limited when they're cancelled 5 issues in. And as long as we are talking about my ideal I'd have all the action and plot take place in the team and event books and have these rotating limited series be about what they do when they are not fighting (or committing) crimes.


Caroline

I interpret this question as, “Who is a character that should always have a book, no matter what, and will be able to sustain relevance even as the world changes?” I have to go with Natasha Romanova, Marvel’s Black Widow. Natasha is a skilled spy, whose abilities are as adaptable as her loyalties. She has also (last time I checked?) been given the Nick Fury anti-aging treatment so that she both has an excuse for staying young and spry for the foreseeable future, and has a potential for flashback stories set in any era that rivals Wolverine’s or Winter Soldier’s.

In reality, Natasha has mostly been used as a supporting character, doesn’t have that many ‘iconic’ storylines (and those are mostly interactions in other characters’ books), and doesn’t even have a particularly well-developed personality. (Based on a Google image search, her best-known trait seems to be ‘doesn’t zip her top up all the way.’)

It would be great if we could have a Black Widow book that would stick around.


Jennifer

My interpretation of this question is a little different from Caroline’s. For me, “longevity” means that the character would have had a book from the 1930s consistently to the present day, and be at something like issue 900 at this point in time. The reason Superman and Batman are such huge cultural icons is that they’ve been around for so long, their adventures consistently on the shelves and replicated in other media. So if I could wave a magic wand and give someone else that status (or, at the very least, the status of a Silver Age-created solo hero like Spider-Man), who would I choose?

For me, the answer would have to be a character who would break the mold of the white men who (with very few exceptions) dominated the earliest ages of comics and crafted the restrictive cultural image of what a “superhero” should be. While my personal, fannish instinct points me toward She-Hulk as the breaker of this mold, I think a more significant choice would be Storm. She’s never had that many solo adventures, but her character is full of fascinating back story and intriguing narrative possibilities (particularly in terms of an expanded supporting cast), and I, personally, would love to live in a world where she found a natural place beside Superman and Batman, blew people away with countless tornadoes and lightning bolts, and served over the decades to change the hearts and minds of comic book readers.

Storm

If this is impossible, though, I’d settle for a more consistent and popular publication of Wonder Woman over the decades. It doesn’t hurt to dream.


Sigrid

Using Caroline’s definition, the character I want to always have a long-running title is Jessica Jones. Jess is currently on New Avengers, and I don’t know what’s going to happen to her in the year’s coming Avengers-related shake-ups. I don’t know whether she’ll be written by someone other than Brian Bendis. But I can think of a wide range of titles featuring Jessica Jones that I would find acceptable.

Jessica Jones as a private detective, continuing her investigative career
Jessica Jones as a bodyguard
Jessica Jones as a mother and partner, dealing with the craziness the superhero life brings
Jessica Jones as mentor and counselor to the next generation of heroes

Soap opera, slice-of-life, crime, superhero, or any blend of these things all sound good to me.


So what about you? If you could give one character a comic book series with the longevity of Superman or Batman, who would you choose?

Girl-Wonder.org is Seeking New Members!

"We Can Do It!"

Though regular Fantastic Fangirls readers may not be aware, I (Jennifer) am currently a member of the Board of Directors of Gworg, the governing body of the feminist comic book website collective Girl-Wonder.org. Though the other three Fantastic Fangirls aren’t associated with the site, I wanted to take the time to personally spread the word about our current elections:

Girl-Wonder.org is pleased to announce that it is holding elections for the Board of Directors for its governing body, Gworg.

Gworg is an incorporated non-profit feminist organization dedicated to fostering an attentive, empowered comics fan community, to encouraging respect and high-quality character depiction, and to assisting the professional development of women working in the field of comics. Anyone who supports these aims is eligible to become a member, and all members are able to vote, stand for office, and nominate others to the Board.

Becoming a Director is an excellent opportunity to support and direct the progress of Girl-Wonder.org! Moreover, since Gworg is a registered non-profit organization, this also makes a great entry of volunteer work on your resume.

We will be accepting new members and Board nominations from Monday, January 9th through Monday, January 30th. Elections will be announced on Monday, February 6th. Members will then have until Monday, February 13th to vote for this year’s Gworg Board of Directors.

If you’re interested, head over here for more information, particularly regarding the types of open positions, or go straight to here to throw in $5 (or volunteer time!) and become a member. It’s a great activist organization that is really looking for new blood to shake things up and make a splash in 2012, so if you’re at all interested, I’d highly encourage you to become a member, run for office, and/or nominate others who fit the bill. We’d love to have you!